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WORK DAYS OF GOD Herbert W Morris D.D.circa 1883 Page 22 "As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
MARIO AND THE MAGICIANS THOMAS MANN 1875 - 1955 18 THE TABLES OF THE LAW Page 289 "...WITH A HANDFUL OF THESE SIGNS ALL THE WORDS OF ALL THE LANGUAGES OF ALL THE PEOPLE COULD, IF NEED BE, BE WRITTEN,..."
LIGHT AND LIFE Lars Olof Bjorn 1976 Page 197 "By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium." "BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 250 "Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THIS IS THE SCENE OF THE SCENE UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE THE ZED ALIZ ZED IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET THE FAR YONDER SCRIBE MADE RECORD OF THEIR FALL
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Cycles and Patterns Page 165 Patterns "The essence of mathematics is to look for patterns. Our minds seem to be organised to search for relationships and sequences. We look for hidden orders. These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac! Searching out patterns is a pure delight. Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden. And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
FINGERPRINTS OF THE GODS A QUEST FOR THE BEGINNING AND THE END Graham Hancock 1995 Chapter 32 Speaking to the Unborn Page 285 "It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers. A message in the bottle of time" 'Of all the other stupendous inventions,' Galileo once remarked, what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3 If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps. "What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them" "WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
THE LIGHT IS RISING RISING IS THE LIGHT
THE DEATH OF GODS IN ANCIENT EGYPT Jane B. Sellars 1992 Page 204 "The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling: Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10 Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days. Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him. The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time. A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12) If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth. This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations. Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability. But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920. With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024. Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting' AN IMPORTANT POSTSCRIPT Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician. Page 206 Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12 This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers. Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury. Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten. Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13 Page 207 "...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14 Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15 Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16 In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point) Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest- Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance. 'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation': "...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the
strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19 So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
OF TIME AND STARS Arthur C. Clarke 1972 FOREWORD "'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000. Page 15 The Nine Billion Names of God 'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?' Page16 'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
I = 9 9 = I R = 9 9 = R
OF T9ME AND STA9S A9thu9 C. Cla9ke,1972 Page 15 'Th9s 9s a sl9ghtly unusual 9equest,'sa9d D9 Wagne9, w9th what he hoped was commendable 9est9a9nt.' As fa9 as 9 know, 9t's the f99st t9me anyone's been asked to supply a T9betan monaste9y with an Automat9c Sequence Compute9. 9 don't w9sh to be 9nqu9s9t9ve, but 9 should ha9dly have thought that you9- ah - establ9shment had much use for such a mach9ne.Could you expla9n just what you 9ntend to do w9th 9t?' 'Gladly,' 9epl9ed the lama, 9eadjust9ng h9s s9lk 9obes and ca9efully putting away the sl9de 9ule he had been us9ng fo9 cu99ency conve9s9ons. 'You9 Ma9k V Compute9 can ca99y out any 9out9ne mathemat9cal ope9at9on 9nvolv9ng up to ten d9g9ts. Howeve9, for ou9 work we are 9nte9ested 9n lette9s, not numbe9s. As we w9sh you to mod9fy the output c9rcu9ts,the mach9ne w9ll be p99nt9ng wo9ds not columns of f9gu9es.' '9 dont qu9te unde9stand…' 'Th9s 9s a p9oject on wh9ch we have been work9ng fo9 the last th9ee centu99es - s9nce the lamase9y was founded, 9n fact.9t 9s somewhat al9en to you9 way of thought, so9 hope you w9ll l9sten with an open m9nd wh9le 9 expla9n 9t 'Natu9ally.' '9t 9s 9eally qu9te s9mple.We have been comp9l9ng a l9st wh9ch shall conta9n all the poss9ble names of God' '9 beg you9 pa9don?' / Page16 / 'We have 9eason to bel9eve' cont9nued the lama 9mpe9tu9bably, ' that all such names can be w99tten with not mo9e than n9ne lette9s 9n an alphabet we have dev9sed,' 'And you have been do9ng th9s for three centu99es? 'Yes: we expected9t would take us about f9fteen thousand years to complete the task.' 'Oh, Dr Wagne9 looked a l9ttle dazed. 'Now9 see why you wanted to h99e one of ou9 mach9nes. But what exactly9s the pu9pose of th9s p9oject ? 'The lama hes9tated fo9 a f9act9on of a second, and Wagne9 wonde9ed9f he had offended h9m.9f so the9e was no t9ace of annoyance9n the 9eply. 'Call9t 99tual, 9f you l9ke, but 9t's a fundamental pa9t of ou9 bel9ef. All the many names of the Sup9eme Be9ng - God , Jehova , Allah , and so on - they a9e only man made labels. The9e 9s a ph9losoph9cal p9oblem of some d9ff9culty he9e, wh9ch9 do not p9opose to d9scuss, but somewhe9e among all the poss9ble comb9nat9ons of lette9s that can occu9 a9e what one may call the 9eal names of God. By systemat9c pe9mutat9on of lette9s, we have been t9y9ng to l9st them all' 9 see. You've been sta9t9ng at AAAAAAA… and wo9k-9ng up to ZZZZZZZZ …' 'Exactly - though we use a spec9al alphabet of ou9 own. Mod9fy9ng the elect9omat9c typew99te9s to deal w9th th9s 9s of cou9se t99v9al. A 9athe9 mo9e 9nte9est9ng p9oblem 9s that of dev9s9ng su9table c99cu9ts to el9m9nate 9 9d9culous comb9nat9ons. Fo9 example, no lette9 must occu9 mo9e than th9ee t9mes 9n sucess9on.' 'Th9ee? Su9ely you mean two.' 'Th9ee 9s co99ect; 9 am af9a9d 9t would take too long to expla9n why , even 9f you unde9stood ou9 language.'/ Page 17 / '9'm su9e 9t would,' sa9d Wagne9 hast9ly. 'Go on.' 'Luck9ly, 9t w9ll be a s9mple matte9 to adapt you9 Automat9c Sequence Compute9 fo9 th9s wo9k, s9nce once 9t has been p9og9ammed p9ope9ly 9t w9ll pe9mute each lette9 9n tu9n and p99nt the 9esult. What would have taken us f9fteen thousand years 9t w9ll be able to do 9n a hund9ed days.' 'Dr Wagne9 was sca9cely consc9ous of the fa9nt sounds f9om the Manhatten st9eets fa9 below. He was 9n a d9ffe9ent wo9ld, a wo9ld of natu9al, not man-made mounta9ns. H9gh up 9n the99 9emote ae99es these monks had been pat9ently at wo9k gene9at9on afte9 gene9at9on, comp9l9ng the99 l9sts of mean9ngless wo9ds. Was the9e any l9m9ts to the foll9es of mank9nd ? St9ll, he must g9ve no h9nt of h9s 9nne9 thoughts. The custome9 was always 99ght…"
OF TIME AND STARS Arthur C. Clarke 1972 Page 68 Into the Comet
DECIPHER MANKIND HAD 1200 YEARS YEARS TO CRACK THE CODE WE HAVE ONE WEEK LEFT Stel Pavlou Page 357 24 hours "We live in a universe of patterns. Every night the stars move in circles across the sky. The seasons cycle at yearly inter vals. No two snowflakes are ever exactly the same, but the all have sixfold symmetry. Tigers and zebras are covered in patterns of stripes; leopards and hyenas are covered in pat terns of spots. Intricate trains of waves march across the oceans; very similar trains of sand dunes march across the desert . . . By using mathematics... we have discovered great secret: nature's patterns are not just there to be admired, they are vital clues to the rules that govern natural processes." Ian Stewart, Nature's Numbers, 1995
123456789 12.34 p.m.56 seconds 7th Day 8th Month 9th Year 123456789 Fact pointed out by Jeremy Vine on Radio 2 noted by Wendy Hanson
THE LIGHT IS RISING NOW RISING IS THE LIGHT
YEA THOUGH I WALK THROUGH THE VALLEY OF THE SHADOW OF DEATH I WILL FEAR NO EVIL FOR THOU ART WITH ME
THE MAGIC MOUNTAIN Thomas Mann 1924 Page 711 THE THUNDERBOLT "During those days of stifling expectation when the nerves of Europe were on the rack, Hans Castorp did not see Herr Settembrini. The newspapers with their wild, chaotic contents pressed up out of the depths to his very balcony, they disorganized the house, filled the dining room with their sulpherous stifling breath, even penetrated the chambers of the dying. There were moment when the "Seven-Sleeper," not knowing what had happened, was slowly stirring himself in the grass before he sat up, rubbed his eyes - yes, let us carry the figure to the end, in order to do justice to the movement of our hero's mind: he drew up his legs, stood up, looked about him. He saw himself released, freed from enchantment - not of his own motion, he was fain to confess, but by the operation of exterior powers, of whose activities his own liberation was a minor incident indeed! Yet though his tiny destiny fainted to nothing in the face of the general, was there not some hint of a personal mercy and grace for him, a manifestation of divine goodness and justice? Would life receive again her erring and "delicate" child - not by a cheap and easy slipping back to her arms, but sternly, solemnly, penitentially - perhaps not even among the living, but only with three salvoes fired over the grave of him a sinner? Thus might he return. He sank to his knees, raising face and hands to a heaven that howsoever dark and sulphourous was no longer the gloomy grotto of his state of sin."
JUST SIX NUMBERS Martin Rees 1 OUR COSMIC HABITAT PLANETS STARS AND LIFE Page 24 A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence'
GOD ONE GOD AND ONE CHOSEN RACE THE HUMAN RACE
HOLY BIBLE Scofield References C 1 V 16 THE ACTS OF THE APOSTLESPage 1148 (Part quoted) "MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"
HOLY BIBLE Scofield References REVELATION C 1 V 16 Page 1338 1 And when he had opened the seventh seal, there was silence in heaven about the space of half an hour. 2 And I saw the seven angels which stood before God; and to them were given seven trumpets. 3 And another angel came and stood at the altar, having a golden censer; and there was given unto him much incense, that he should offer it with the prayers of all saints upon the golden altar which was before the throne. 4 And the smoke of the incense, which came with the prayers of the saints, ascended up before God out of the angel's hand. 5 And the angel took the censer, and filled it with fire of the altar, and cast it into the earth: and there were voices, and thunderings, and lightnings, and an earthquake. 6 And the seven angels which had the seven trumpets prepared themselves to sound. 7 The first angel sounded, and there followed hail and fire mingled with blood, and they were cast upon the earth: and the third part of trees was burnt up, and all green grass was burnt up. 8 And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood; 9 And the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed. 10 And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp, and it fell upon the third part of the rivers, and upon the fountains of waters; 11 And the name of the star is called Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter. 12 And the fourth angel sounded, and the third part of the sun was smitten, and the third part of the moon, and the third part of the stars; so as the third part of them was darkened, and the day shone not for a third part of it, and the night likewise. 13 And I beheld, and heard an angel flying through the midst of heaven, saying with a loud voice, Woe, woe, woe, to the inhabiters of the earth by reason of the other voices of the trumpet of the three angels, which are yet to sound!
SAPTARSHI A STAR SHIP A STAR SHIP SAPTARSHI
IN SEARCH OF EXTRA TERRESTRIALS Unsolved UFO sightings... strange secrets of the moon... new evidence that alien astronauts are exploring the earth Alan Landsburg 1976 Page 79 " The words of J. B. S. Haldane came back to haunt me. He once wrote, "Now my suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose. I suspect that there are more things in heaven and earth than are dreamed of in any philosophy. That is the reason why I have no philosophy myself, and must be my excuse for dreaming."
REACH FOR TOMORROW Arthur C. Clarke 1956 Introduction to 1989 Edition "However I have made some interesting discoveries; for instance, on the very first page of the first story, I see the number 9000. Ive no idea why I selected it again for HALs serial number 20 years later. . . " I see the number 9000 Ive no idea why I selected it again for HALs serial number 20 years later. . . "
THE LOST WORLDS OF 2001 Arthur C. Clarke 1972 Page179 "A long time ago," said Kaminski, "I came across a remark that I've never forgotten-though I can't remember who made it. 'Any sufficiently advanced technology is indistinguishable from magic.' That's what we're up against here. Our lasers and mesotrons and nuclear reactors and neutrino telescopes would have seemed pure magic to the best scientists of the nineteenth century. But they could have understood how they worked-more or less-if we were around to explain the theory to them."
Page 189 "The other is Clarke's Third* Law "Any sufficiently advanced technology is indistinguishable from magic"
GODS OF THE DAWN Peter Lemesurier 1997 "As Arthur C. Clarke's perceptive Third Law puts it: "Any sufficiently advanced technology is indistinguishable from magic."
THE SECRET HISTORY OF ANCIENT EGYPT Herbie Brennan 2000 "The British science fiction writer Arthur C. Clarke is said to have commented that "any sufficiently high technology is indistinguishable from magic"
THE BIBLE CODE Michael Drosnin 1997 Chapter Four THE SEALED BOOK Page 70 "The astronomer Carl Sagan once noted that if there was other intelligent life in the universe some of it would have certainly evolved far earlier than we did, and had thousands, or hundreds of thousands, or millions, or hundreds of millions of years to develop the advanced technology that we are only now beginning to develop. 'After billions of years of biological evolution - on their planet and ours - an alien civilization cannot be in technological lockstep with us,' wrote Sagan. 'There 'have been humans for more than twenty thousand centuries, but we've had radio only for about one century,' wrote Sagan. 'If alien civilizations are behind us, they're likely to be too far behind us to have radio. And if they're ahead of us, they're likely to be far ahead of us. Think of the technical advances on our world over just the last few centuries. What is for us technologically difficult or impossible, what might seem to us like magic, might for them be trivially easy.' 'Any sufficiently advanced technology is indistinguishable from magic.' Page 163 pages 69-75 Chapter notes,
"The astronomer Carl Sagan suggested that an advanced alien technology 'might seem to us like magic' in Pale Blue Dot (Random House, 1994), p. 352.
The author of 2001, Arthur C. Clarke, made a similar observation: 'Any sufficiently advanced technology is indistinguishable from magic' (Profiles of the Future, Holt, Rinehart, and Winston, 1984). Paul Davies' imagined 'alien artifact' is described in his book Are We Alone? (Basic Books, 1995), p. 42. Stanley Kubrick, in his famous movie version of Clarke's 2001, showed a mysterious black monolith that seemed to reappear at successive stages of human evolution, each time we were ready to be taken to a higher level. When I told him about the Bible code, Kubrick's immediate reaction was, 'It's like the monolith in 2001.' "
FIRST CONTACT THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE 1990 SEIZING THE MOMENT A UNIQUE MOMENT IN HUMAN HISTORYMichael Michaud ANTHROPOCENTRISM GOOD-BYE Page311 "The most profound message from the aliens may never be spoken: We are not alone or unique. Contact would tell us that life and intelligence have evolved elsewhere in the Universe, and that they may be common by-products of cosmic evolution. Contact would tend to confirm the theory that life evolves chemically from inanimate mat- ter, through universal processes,implying that there are other alien civilizations in addition to the one we had detected. We might see ourselves as just one example of biocosmic processes, one facet of the Universe becoming aware of itself. We would undergo a revolution in the way that we conceive our own position in the Universe; any remaining pretense of centrality or a special role, any belief that we are a chosen species would be dashed for- ever, completing the process begun by Copernicus four centuries ago.
The revelation that we are not the most technologically advanced intelligent species could lead to a humbling deflation of our sense of self-importance. We might reclassify ourselves to a lower level of ability and worth. This leveling of our pretensions, this anti-hubris, could be intensified if we were confronted with alien technology beyond our understanding. (Arthur C. Clarke has observed that any sufficiently advanced technology would be indistinguishable from magic.) "ANY SUFFICIENTLY ADVANCED TECHNOLOGY IS INDISTINGUABLE FROM MAGIC"
CHEIRO'S BOOK OF NUMBERS Circa 1926 Page106 "The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
THE QUESTION HAS BEEN ASKED AGAIN AND AGAIN IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE THE TIDE AT THE FLOOD
EIGHTEEN+THIRTYSIX = 9 9 = EIGHTEEN+THIRTYSIX 1836
EIGHTEEN THIRTY SIX SIX THIRTY EIGHTEEN
Quo Vadis. I fled by night and in the grey of dawn met on the lonely
way a man I knew but could not name. He said “Good morning”, I the same ...
Quo Vadis
Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from the Bible (John 13:36, 16:5). ... en.wikipedia.org/wiki/Quo_Vadis -
MAAT ATMA ATMA MAAT
ODD NUMBERS OR ARITHMETIC REVISITED Herbert McKay 1940 Page 147 MULTIPLICATION AND DIVISION "Multiplication does not always increase a number. If the multiplier is less than 1 we have a decrease. When we. multiply by .5 we get a half of the original number; when we multiply by 1 we reduce the number to a tenth of itself; and so on. The square of a small number (less than 1) is a very small number; the cube is an extremely small number.Thus: .0012= .00001, .0013 = .000000001. Even when a number is a very little less than one, con-tinual multiplication of it by itself (raising it to higher and higher powers) finally reduces it to an exceedingly small quantity. .99999 is a mere one-hundred-thousandth less than 1; if we multiply any number by it we deduct a one-hundred-thousandth of the number. Thus .999992 is a very little more than .99998. .9999910 is a little more than .99990. .99999 to the power 1000 is about .99015. .99999 to the power 1,000,000 is .00005. .99999 to the power 10,000,000 is the tenth power of .00005. We should have a string of 42 noughts before the significant figures begin. For the l00,000,000th power we / Page 148 / should have over 400 noughts before the significant figures begin." Page 147 uses number nine forty times 40 x 9 = 360
OF TIME AND STARS Arthur C. Clarke 1972 Page 16 'We have reason to believe,.' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.' 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
SUPERNATURE Lyall Watson (1974 Edition) Page 108 "An American mathematician noticed that the earlier pages in books of logariths kept in his university library were dirtier than later ones, indicating that science students, for some rea-son, had more occasion to calculate with numbers beginning with 1 than with any other number. (261) He made a collection of tables and calculated the relative frequency of each digit from 1 to 9. Theoretically they should occur equally of-ten, but he found 30per cent of the numbers were 1, whereas 9 only occupied 5 per cent of the space. These are almost exactly the proportions given to these numbers on the scale of a slide rule, so the designers of that instrument clearly recognized that such a bias existed. This preponderance of the number 1 may have been caused by the fact that the tables were not really random, but bigger tables provide a similar bias."
THE ROOT NUMBER OF NAMES OF GOD = 99 9 + 9 = 81 8+1 = 9 = NAMES OF GOD ASCENSION 99 9 + 9 18 1 + 8 9
Graham Hancock 1995 Page 273 "The precessional numbers highlighted by Sellers in the Osiris myth are 360, 72, 30 and 12." "These he joined to the 360 days of which the year then consisted (emphasis added)." "Elsewhere the myth informs us that the 360 - day year consists of "12 months of 30 days each". Note 6 And in general,as Sellers observes , "phrases are used which prompt simple mental calculations and an attention to numbers ". note 7 "Elsewhere the myth informs us that the 360-day year consists of '12 months of 30 days each'. Thus far we have been provided with three of Seller's precessional: 360, 12 and 30. The fourth number,which occurs later in the text, is by far the most important. As we saw in Chapter Nine, the evil deity known as Set led a group of conspirators in a plot to kill Osiris. The number of these conspirators was 72."
THE SPLENDOUR THAT WAS EGYPT Margaret A. Murray Page 101 "In many countries the Divine King was allowed to reign for a term of years only, usually seven or nine or multiples of those numbers".
SEVEN OR NINE OR MULTIPLES OF THOSE NUMBERS
THE MAYAN PROPHESIES Adrian G. Gilbert and Morris M. Cotterell Appendix 7 Page 345 'Mayan numbers - summary nine = magic number of the Maya. All relevant numbers compound to nine.'
ALL RELEVANT NUMBERS COMPOUND TO NINE
THE SUPER GODS Morris M. Cotterell Page 188 'The recurring 9999 is an invitation to round up this number to 269, i.e. 260 and 9."
THE RECURRING 9999 THE 9ECU999NG 9999
NUMBER 9 The Search for the Sigma Code Cecil Balmond Page 45 "From ancient times number nine was seen as a full complement; it was the cup of special promise that brimmed over"
FROM ANCIENT TIMES NINE WAS SEEN AS A FULL COMPLEMENT IT WAS THE CUP OF SPECIAL PROMISE THAT BRIMMED OVER
THE NEW YEAR OF GOD 20+8+5+14+5+23+25+5+1+18+15+6+7+15+4 = 6+6+4+3+8 = 27 2+7 = 9 THE NEW YEAR OF GOD
THE SPLENDOUR THAT WAS EGYPT Margaret A. Murray Appendix 4 THE NEW YEAR OF GOD (Reprinted by kind permission of the Editor from the Cornhill Magazine 1934) Page 231 "Three o'clock and a still starlight night in mid-September in Upper Egypt. At this hour the village is usually asleep, but to-night it is a stir for this is Nauruz Allah, the New Year of God, and the narrow streets are full of the soft sound of bare feet moving towards the Nile. The village lies on a strip of ground; one one side is the river, now swollen to its height, on the other are the floods of the inundation spread in a vast sheet of water to the edge of the desert. On a windy night the lapping of wavelets is audible on every hand; but to-night the air is calm and still, there is no sound but the muffled tread of unshod feet in the dust and the murmur of voices subdued in the silence of the night. In ancient times throughout the whole of Egypt the night of High Nile was a night of prayer and thanks giving to the great god , the Ruler of the river, Osiris himself. Now it is only in this Coptic village that the ancient rite is preserved, and here the festival is still one of prayer and thanksgiving. In the great cities the New Year is a time of feasting and processions, as blatant and uninteresting as a Lord Mayor's Show, with that additional note of piercing vulgarity peculiar to the East. In this village, far from all great cities, and-as a Coptic community-isolated from and therefore uninfluenced either by its Moslem neighbours or by foreigners, the festival is one / Page 232 / of simplicity and piety. The people pray as of old to the Ruler of the river, no longer Osiris, but Christ; and as of old they pray for a blessing upon their children and their homes. There are four appointed places on the river bank to which the village women go daily to fill their water-jars and to water their animals. To these four places the villagers are now making their way, there to keep the New Year of God. The river gleams coldly pale and grey; Sirius blazing in the eastern sky casts a narrow path of light across the mile-wide waters. A faint glow low on the horizon shows where the moon will rise, a dying moon on the last day of the last quarter. The glow gradually spreads and brightens till the thin crescent, like a fine silver wire, rises above the distant palms. Even in that attenuated form the moonlight eclipses the stars and the glory of Sirius is dimmed. The water turns to the colour of tarnished silver, smooth and glassy; the palm-trees close at hand stand black against the sky, and the distant shore is faintly visible. The river runs silently and without a ripple in the windless calm; the palm fronds, so sensitive to the least movement of the air, hang motionless and still; all Nature seems to rest upon this holy night. The women enter the river and stand knee-deep in the running stream praying; they drink nine times, wash the face and hands, and dip themselves in the water. Here is a mother carrying a tiny wailing baby; she enters the river and gently pours the water nine times over the little head. The wailing ceases as the water cools the little hot face. Two anxious women hasten down the steep bank, a young boy between them; they hurriedly enter the water and the boy squats down in the river up to his neck, while the mother pours the water nine times with her hands over his face and shaven head. There is the sound of a little gasp at the first shock of coolness, and the mother laughs, a little tender laugh, and the grandmother says something under her breath, at which they all laugh softly together. After the ninth washing the boy stands up, then squats down again and is again washed nine times, and yet a third nine times; then the grandmother takes her turn and she also washes him nine times. Evidently he is very precious to the hearts of those two women, perhaps the mother's last surviving child. Another sturdy urchin refuses to sit down in the water, frightened perhaps, for a woman's voice speaks encouragingly, and presently a faint splashing and a little gurgle of childish laughter shows that he too is receiving the blessing of the Nauruz of God. A woman stands alone, her slim young figure in its wet clinging garments silhouetted against the steel-grey water. Solitary she stands, apart from the happy groups of parents and children; then, stooping , she drinks from her once, pauses and drinks again; and so drinks nine times with a short pause between every drink and a longer pause between every three. Except for the movement of her hand as she lifts the water to her lips, she stands absolutely still, her body tense with the earnestness of her prayer, the very atmosphere round her charged with the agony of her supplication. Throughout the whole world there is only one thing which causes a woman to pray with such intensity, and that one thing is children. / Page 233 / This may be a childless woman praying for a child, or it may be that, in this land where Nature is as careless and wasteful of infant life as of all else, this a mother praying for the last of her little brood, feeling assured that on this festival of mothers and children her prayers must perforce be heard. At last she straightens herself, beats the water nine times with the corner of her garment, goes softly up the bank, and disappears in the darkness. Little family parties come down to the river, a small child usually riding proudly on her father's shoulder. The men often affect to despise the festival as a woman's affair, but with memories in their hearts of their own mothers and their own childhood they sit quietly by the river and drink nine times. A few of the rougher young men fling themselves into the water and swim boisterously past, but public feeling is against them, for the atmosphere is one of peace and prayer enhanced by the calm and silence of the night. Page 232 and 233 Continued. For thousands of years on the night of High Nile the mothers of Egypt have stood in the great river to implore from the God of the Nile a blessing upon their children; formerly from a God who Himself has memories of childhood and a Mother. Now, as then, the stream bears on its broad surface the echo of countless prayers, the hopes and fears of human hearts; and in my memory remains a vision of the darkly flowing river, the soft murmur of prayer, the peace and calm of the New Year of God. Abu Nauruz hallal.
NINE OCCURS x 9 NINTH x 1 1. The women enter the river and stand knee-deep in the running stream praying; they drink nine times, 2. she enters the river and gently pours the water nine times over the little head. 3. while the mother pours the water nine times with her hands over his face and shaven head. After the ninth washing the boy stands up, 4. then squats down again and is again washed nine times, 5. and yet a third nine times; 6. then the grandmother takes her turn and she also washes him nine times. 7. and so drinks nine times with a short pause between every drink 8. At last she straightens herself, beats the water nine times with the corner of her garment, 9. they sit quietly by the river and drink nine times. Page 233 For thousands of years on the night of High Nile the mothers of Egypt have stood in the great river to implore from the God of the Nile a blessing upon their children; formerly from a God who Himself has memories of childhood and a Mother. Now, as then, the stream bears on its broad surface the echo of countless prayers, the hopes and fears of human hearts; and in my memory remains a vision of the darkly flowing river, the soft murmur of prayer, the peace and calm of the New Year of God. Abu Nauruz hallal.
BHAGAVAD- GITA As it is. A. C. Bhaktivedanta Swami Prabhupada Page 287 "When the embodied living being controls his nature and mentally renounces all actions, he resides happily in the city of nine gates." "The body consists of nine gates (two eyes, two nostrils, two ears, one mouth, the anus and the genitals.)" THE CITY OF NINE GATES
GURDJIEFF A BIOGRAPHY James Moore 1991 Page 344 The Enneagram "Gurdjieff's most cherished symbol was his enneagram, or nine sided figure; he extolled it as a universal glyph, a schematic diagram of perpetual motion." ENNEAGRAM 9 LETTERS LETTERS IN THE ENNEAD 3 + 6 9
THE ELEMENTS OF THE GODDESS Caitlin Matthews 1989 "WE ARE ENTERINGTHE TIME OF THE NINE POINTED STAR THE STAR OF MAKING REAL UPON EARTH THE GOLDEN DREAM OF PEACE THAT LIVES WITHIN US" Brooke Medicine Eagle Page 38 "THIS ENNEAD OF ASPECTS IS ENDLESSLY ADAPTABLE FOR IT IS MADE UP OF NINE, FOR EXAMPLE 54, 72, 108, THEY ALWAYS ADD UP TO NINE"
THE HOLY BIBLE C 17 V 24 GENESIS AND ABRAHAM WAS NINETYYEARS OLD AND NINE WHEN HE WAS CIRCUMCISED IN THE FLESH OF HIS FORESKIN
AFTER DEATH Leslie D. Weatherhead 1923 Page 99 'The Christian conception of God does not allow even one per cent.of failures - it is not enough to have ninety-nine sheep out of a flock of a hundred safe in the fold"
WORK DAYS OF GOD Herbert W Morris D.D.circa 1883 Page 278 "ninety and nine" on the bright celestial plains, He came down to seek and to save "the one stray sheep." Page number missing assumed to be 415 "…Companion volume to "Silver Songs" "Golden Songs" "…Among the numerous tunes are the following : -…" "…Are you one of the "Ninety and Nine"
OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON
ANUBIS A NUMBER IS
NINE NINE NINE 1 2 3 4 5 6 7 8 9 9 9 9 9 9 9 9 9 8 7 6 5 4 3 2 1 Question any combinations of numbers, that appear within the breadth of your ken. You have the sacred symbols, numbers and signs. Apply them with imaginative intuition, reveal the message of the LIVING LIGHT THAT ISISIS ISISIS THAT LIGHT LIVING
Often the he as in she, that is thee appear to be going back'ards, in coming for'ards. That however, is, in all truth, going for'ards in coming back'ards.
REMEMBER 9
666 IN THE UPSIDE DOWN OF THE DOWNSIDE UP 999 The magikalalphabet transcribes letters to numbers. Add to Reduce, Reduce to Deduce = Essence of Number The English alphabet consists of 26 letters. These can be reduced to nine numbers all roads lead to NINE Heighten awareness to LANGUAGE and NUMERICAL relationships SEEK combinations that blaze with colour. Many stones have been uncovered, others remain for the finding. Found works of art, straight from the heart. Physical phenomena, draw with a jaundiced eye. Time and space, matter and mind, the fulcrum of language and numerical revelation
LANGUAGE AND NUMERICAL REVELATION FOR PHILOSOPHERS STONE READ PHILOSOPHERS TONE THAT IZ THE TRUTH OF THE TRUTH THAT IZ FOLLOW THE PA-TH OF PT-AH
THE MAGIC MOUNTAIN experience is a most difficult one, with danger fraught, you have our every loving good wish for success in your karmic resolution. Take these sacred symbols and become at one with the only real purpose in life. A short commemoration was then observed and the cast of sacred symbols upon the earth recorded for all to see. Again, the far yonder scribe watched in some amaze the Zed AliZed, in swift repeat scatter the nine numbers amongst the letters of their progress. At the throw of the ninth ram when in conjunction set, the far yonder scribe made record of the fall.
THE MAGIC MOUNTAIN 1875 - 1955 "I tell them that if they will occupy themselves with the study of mathematics they will find in it the best remedy against the lusts of the flesh."
ODD NUMBERS OR ARITHMETIC REVISITED Herbert McKay 1940 COMPARISONS "IF anyone thinks he has no use for arithmetic let him consider the number of comparisons he makes every day. Most comparisons involve the working of some sort of sum; even when we compare colours we are apt to make some kind of computation of the proportions of the primary colours in them. We are always making comparisons, well or ill, accurately or inaccurately; one of the virtues of arithmetic is that it enables one to make comparisons neatly and accurately. One is proud of having a sense of proportion,and proportion is essentially mathematical-it is a comparison of sizes measured in some way or other. Even where arithmetic does not enter directly and obviously into a comparison a knowledge of the possibilities of arithmetical comparison is not amiss; it does at least rule out many crudities and absurdities. I saw some time ago the statement that if all the herrings landed at Yarmouth in a season were placed head to tail in a line they would stretch nine times round the world. The writer had evidently been impressed by the vast number of herrings in the catch, and he had looked for a comparison that would show the immensity of the number of herrings. As we have already seen, if we want to make the most of a large number of objects, we place them in a line. We get the greatest possible length by placing the herrings head to tail, and that is what the writer had done. The idea of placing the herrings in a nine-deep queue / Page 62 / right round the world might be impressive if we once began to realize what such a queue means."
THE NEW VIEW OVER ATLANTIS John Michell 1969 Page "That this small gold pyramid ion was an integral part of the Pyramid's design is evident from the figures. Without it the dimensions are liot quite complete, for if it were removed, the area of the Pyramid's side would be 99999'99 square cubits only. With the 5 cubic inches of gold pyramidion in place, the figure of 100,000 square cubits represents the total area. As the dimensions of the Great Pyramid are multiplied by the ratios of the ancient number canon they expand to frame the dimensions of this earth, and it is possible that they could have been taken further to represent the dimensions of the grand orb (the circle described by the The numerical patterns in the Pyramid's dimensions imply that the capstone consisted of a succession of diminishing pyrami9ions, each forming the tip of the one below it, with the small gold pyramid, 5 cubic inches in volume, at the apex. Yet if the gold model is to represent the whole structure in miniature, it must itself have a separate tip. This tiny object, set in gold, could only have been some form of crystal. Esoteric traditions about the use of crystals in the ancient world for attracting and transmitting cosmic energies are echoed by modern seers, such as the well-known 'Sleeping Prophet' of America, Edgar Cayce, who described visions of the Atlantean crystal technology which empowered the last world civilization and finally, by its abuse, brought about the cataclysm. An illustration of how the small, golden, crystal-topped pyramidion could have been held in place, together with the other layers making up the capstone, is given by a strange hieroglyph which shows a truncated pyramid topped by a staff or gnomon"
SECRET CHAMBER THE QUEST FOR THE HALL OF RECORDS Robert Bauval 1
999 Page xxiii EYE OF VIGILANCE "On the 3rd October 1998, a press conference was organised in Cairo for Minister of Culture Farouk Hosni and the French composer Jean Michel Jarre. The latter has been an international household name since the 1970s due to the enormous success of his electronic high-tech music compositions 'Oxygene' and 'Equinox'. Jean Michel Jarre is also an ambassador for UNESCO and has, since the 1980s, been organising extravaganzas of laser lights and music for historical events. One of these was for the bicentennial of the French Revolution in 1989, where more than two million spectators gathered in the Champs-Elysees in Paris, from the Place de la Concorde all the way to the new 'Paris 2000' Place de la Defense. This show, which was televised around the world, featured a pyramid structure erected in front of the Grande Arche de la Fraternite, literally the' Arch of the Brotherhood'. From the high-tech pyramid, laser images were projected on to the high-rise buildings nearby, including at one stage the so-called 'eye of vigilance', a symbol commonly used by Freemasons.14 During the press conference the Egyptian Minister of Culture stated that an opera composed by Jarre, entitled 'The Twelve Dreams of the Sun', would be performed to coincide with the unveiling of the golden capstone for the Great Pyramid at the end of the millennium, and Jarre himself declared that 'since the pyramids are linked to the sun' he had decided to stage a 'modern, multimedia opera that will last twelve bows and accompany the sun from the second millennium to the third millennium in the tradition of Ra, the pharaonic sun god'.
I OF VIGILANCE MAM = 9 9 = DAD CHILD = 9 9 = CHILD PUREST = 9 DIVINE = 9 LOVE = 9 9 = LOVE 9 = DIVINE 9 = PUREST
THE 99 NAMES OF GOD 99
LOVEEVOLVEEVOLVELOVELOVEEVOLVEEVOLVELOVE
Dear Reader
Herein another message.
" I Think we have a common bond you and I it is the number 9, the 9th letter of the English Alphabet.
I wonder if you have seen the book by Cecil Balmond Number 9 The search for the Sigma Code, if not I think you should read it. I found it most interesting.
While typing, I am seeking to create, in this short e-mail a pattern, that I, you, and others could identify all supposing we chose to look for one, I have done this by indicating a common feature. The letter I, and the number 9 doing so as can be seen, by emphasis."
Here the garbled message ends.
Indication of the letter I ocurrs 9 times.
The symbol 9 ocurring 4 times
This is my message to you. 9 x 9 = 81 and 8 + 1 = 9
and the symbol 9 occurs four times, so I am saying to you 36 and 3 + 6 = 9 I am also saying that 81 + 36 is 117 and 1+1+7 = 9 my distilled essence of message
In a book called The Curse of the Pharaohs by PhilippVandenburg.published in 1973, which is a study into the circumstances whereby a number of the people involved in the opening and subsequent scientific examination of the Pharaoh Tutankhamun met their deaths. On the back of page 99 page 100/101 there is a quote seemingly complete from an ancient papyrus of a letter from an Egyptian army general to his wife.This was apparently found in another persons grave. It is 32 lines long Page 100 contains 9 lines and on page 101, there is 23 altogether 32 Within those lines, the letter I occurs 34 times. And within the I of the refracted light of a certain eye, could in certain interpretation be seen as 34 x 9 which is 306 and 3 + 6 is 9 YOU occurs in the passage x 26
YOUR occurs x 5
ME occurs x 5
My occurs x 6
Was the General labouring the point of the I, and perhaps more importantly was there a labouring of the 9s
The numerical root number of I = 9
The numerical root number of ME = 9
The numerical root number of EGO = 9
The numerical root number of CONSCIENCE = 9
The numerical root number of EYE is 8
The numerical root number of EYES is 9
The numerical root number of HORUS is 9
The numerical root number of HOURS is 9
The numerical root number of VENUS is 9
The numerical root number of ORIONIS is 9
THE LIVING REALITY OF PLANET EARTH DIVINE LOVE LOVE DIVINE I = 9 9 = I MIN DOTH DREAM WHAT DOTH MIN MEAN
THE DREAM OF THE RAINBOW COVENANT AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA
LOVE DIVINE DIVINE LOVE 9 9 9 9 9 9 9 9 9666666666 THAT LIGHT THAT
THE MAGIKALALPHABET ISISIS THE ENGLISH ALPHABET TRANSPOSED INTO NUMBER With episodic sense of deja vu the far yonder scribe and oft times shadowed substances watched in fine amaze THE ZED ALIZ ZED in swift repeat scatter the sacred numbers amongst the letters of their progress at the thought of the ninth ram when in conjunction set the far yonder scribe made record of the fall
ADD TO REDUCE REDUCE TO DEDUCE ESSENCE OF NUMBER
THE MAGICALALPHABET FORMED FROM THE ENGLISH ALPHABET OF CAPITAL LETTERS
THE LIGHT IS RISING NOW RISING IS THE LIGHT
YEA THOUGH I WALK THROUGH THE VALLEY OF THE SHADOW OF DEATH I WILL FEAR NO EVIL FOR THOU ART WITH ME ALWAYS
JUST SIX NUMBERS Martin Rees 1 OUR COSMIC HABITAT PLANETS STARS AND LIFE Page 24 A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence'
THE HOURS OF HORUS HAVE ARRIVED HURRAH FOR RAH FOR RAH HURRAH AMEN THAT NAME GODS NAME AMEN RA IN BOW LIGHT GODS LIGHT RA IN BOW THE LIGHT IS RISEN NOW RISEN IS THE LIGHT
LOVE DIVINE IS 99 99 IS LOVE DIVINE
THE NUMERICAL ROOT VALUE OF THE ENGLISH ALPHABET ISISIS 9 A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z First Total = 1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8 First Total = 351 and 3+5+1 = 9
A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z Second Total = 1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8 second total 126 and 1+2+6 = 9
I the blessed nine unless integral to quoted work. all arithmetical machinations, emphasis, comment, insertions subterfuge and insinuations are those of the Zed Aliz Zed as recorded by the far yonder scribe.
STORM ON THE SUN HOW THE SUN AFFECTS LIFE ON EARTH Joseph Goodavage 1979 Page 5 Chapter 1 "Eliminate the impossible. Whatever remains, however improbable must be true" Sherlock Holmes
GODS OF THE DAWN THE MESSAGE OF THE PYRAMIDS AND THE TRUE STARGATE MYSTERY Peter Lemesurier 1997 "THE GREAT PYRAMID IS A SYMBOL OF A NOW ALMOST WHOLLY ALIEN MENTALITY" Arthur C. Clarke Profiles of the Future FOREWORD Page ix "TRUTH, IT HAS BEEN SAID, IS STRANGER THAN FICTION. STAR WATCH FIVE Page 171 Page 172 In due course, that message would duly get through. The realization would dawn that humanity has a destiny, and one that will long outlive Earth. True, the realization would be mythologized, ritualized and turned into mere religious dogma. When the time came for such dogmas to be dis-missed, consequently, the message would be dismissed with them. And yet the new realism would breed a new attitude. Humanity would look again.
GODS OF THE DAWN THE MESSAGE OF THE PYRAMIDS AND THE TRUE STARGATE MYSTERY Peter Lemesurier 1997 STARWATCH TWO Page 129 "Moses' meeting with the entity allegedly takes place amid horrendous thunderings and lightnings on a smoking mount Sinai whose emanations spell death for anybody else who approaches it. The description is typical of a volcano. Yet Sinai has not been volcanic for thousands of years. Evidently, then, the phenomenon -like the strange columns of smoke themselves - is artificial, and presumably reveals the presence of some kind of advanced technology. Page 227 "Yet as I said earlier, it is precisely the unthinkable that I have dared to think in this book. To that extent it goes beyond all conventional belief. In the final upshot, though, something rather surprising has happened. The unthinkable has paradoxically turned out to be - if in surprising and disturbing ways - remarkably simi- lar to what has always been thought before. Indeed, it is precisely the extent to which this book's outline of humanity's future des- tiny turns out to mirror the immemorial beliefs of antiquity that is most likely to worry the religious in particular. Page 228 But the real function of the Elohistic initiative, if I have recon-structed it aright, is not to subject us to beliefs that shackle us, but to blast apart our imagined limitations. Its purpose is not to en- chain us, but to set us free - not by telling us, like most religions, what we cannot do, but by hinting, however remotely, at what we can. GREAT ENCOUNTERS Page 165 "Much, clearly, has to do with expectation. As at least one Star Trek episode did manage to recognize, the best way of avoiding such cosmic xenophobia is carefully to tie in the features of your arrival with existing planetary beliefs regarding the future advent of benevolent beings from the sky. On Earth, certainly, such beliefs are almost universal.
ATOM ATUM ATEN A TEN A ONE
THINK RA THINK EGYPT RA = 1 + 8 + 1 = 10 1 + 0 = 1 EGYPT = 5 + 7 + 7 + 7 + 2 = 28 2 + 8 = 10 1 + 0 = 1
I AM THE INSCRUTABLE SMILE IN THE I OF THE SPHINX AWAKEN O NAMUH SURELY THOU ART A LAZY LAZARUS
THE 99 NAMES OF GOD I ME EGO CONSCIENCE DIVINE LOVE 9 9 LOVE DIVINE ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE NEW VIEW OVER ATLANTIS J Michell Page 151 "That this small gold pyramidion was an integral part of the Pyramid's design is evident from the figures. Without it the dimensions are not quite complete, for if it were removed, the area of the Pyramid's side would be 99999.99 square cubits only. With the 5 cubic inches of gold pyramidion in place, the figure of 100,000 square cubits represents the total area."
"THAT THIS SMALL GOLD PYRAMIDION WAS AN INTEGRAL PART OF THE PYRAMID'S DESIGN IS EVIDENT FROM THE FIGURES. WITHOUT IT THE DIMENSIONS ARE NOT QUITE COMPLETE, FOR IF IT WERE REMOVED, THE AREA OF THE PYRAMID'S SIDE WOULD BE
99999.99
THE 99 NAMES OF GOD I ME EGO CONSCIENCE
Do not stand at my grave and weep, I = 9 9 = I Do not stand at my grave and weep,
9 x 12 = 108 1 + 8 = 9
NAMES OF GOD = 99 = NAMES OF GOD
DIVINESPHERES9999SPHERESDIVINE
I ME AND YOU AND GOD DO YOU KNOW DOES SHE KNOW DOES HE KNOW DO THEY KNOW WHO KNOWS WHO KNOWS WHO KNOWS GOD GOD KNOWS
IN SEARCH OF EXTRA TERRESTRIALS Unsolved UFO sightings... strange secrets of the moon... new evidence that alien astronauts are exploring the earth Alan Landsburg 1976 Page 79 " The words of J. B. S. Haldane came back to haunt me. He once wrote, "Now my suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose. I suspect that there are more things in heaven and earth than are dreamed of in any philosophy. That is the reason why I have no philosophy myself, and must be my excuse for dreaming."
REACH FOR TOMORROW Arthur C. Clarke 1956 Introduction to 1989 Edition "However I have made some interesting discoveries; for instance, on the very first page of the first story, I see the number 9000. Ive no idea why I selected it again for HALs serial number 20 years later. . . " I see the number 9000 Ive no idea why I selected it again for HALs serial number 20 years later. . . "
THE LOST WORLDS OF 2001 Arthur C. Clarke 1972 Page179 "A long time ago," said Kaminski, "I came across a remark that I've never forgotten-though I can't remember who made it. 'Any sufficiently advanced technology is indistinguishable from magic.' That's what we're up against here. Our lasers and mesotrons and nuclear reactors and neutrino telescopes would have seemed pure magic to the best scientists of the nineteenth century. But they could have understood how they worked-more or less-if we were around to explain the theory to them."
Page 189 "The other is Clarke's Third* Law "Any sufficiently advanced technology is indistinguishable from magic"
GODS OF THE DAWN Peter Lemesurier 1997 "As Arthur C. Clarke's perceptive Third Law puts it: "Any sufficiently advanced technology is indistinguishable from magic."
THE SECRET HISTORY OF ANCIENT EGYPT Herbie Brennan 2000 "The British science fiction writer Arthur C. Clarke is said to have commented that "any sufficiently high technology is indistinguishable from magic"
THE BIBLE CODE Michael Drosnin 1997 Chapter Four THE SEALED BOOK Page 70 "The astronomer Carl Sagan once noted that if there was other intelligent life in the universe some of it would have certainly evolved far earlier than we did, and had thousands, or hundreds of thousands, or millions, or hundreds of millions of years to develop the advanced technology that we are only now beginning to develop. 'After billions of years of biological evolution - on their planet and ours - an alien civilization cannot be in technological lockstep with us,' wrote Sagan. 'There 'have been humans for more than twenty thousand centuries, but we've had radio only for about one century,' wrote Sagan. 'If alien civilizations are behind us, they're likely to be too far behind us to have radio. And if they're ahead of us, they're likely to be far ahead of us. Think of the technical advances on our world over just the last few centuries. What is for us technologically difficult or impossible, what might seem to us like magic, might for them be trivially easy.' 'Any sufficiently advanced technology is indistinguishable from magic.' Page 163 pages 69-75 Chapter notes,
"The astronomer Carl Sagan suggested that an advanced alien technology 'might seem to us like magic' in Pale Blue Dot (Random House, 1994), p. 352.
The author of 2001, Arthur C. Clarke, made a similar observation: 'Any sufficiently advanced technology is indistinguishable from magic' (Profiles of the Future, Holt, Rinehart, and Winston, 1984). Paul Davies' imagined 'alien artifact' is described in his book Are We Alone? (Basic Books, 1995), p. 42. Stanley Kubrick, in his famous movie version of Clarke's 2001, showed a mysterious black monolith that seemed to reappear at successive stages of human evolution, each time we were ready to be taken to a higher level. When I told him about the Bible code, Kubrick's immediate reaction was, 'It's like the monolith in 2001.' "
FIRST CONTACT THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE SEIZING THE MOMENT A UNIQUE MOMENT IN HUMAN HISTORY Michael Michaud ANTHROPOCENTRISM GOOD-BYE Page311 "The most profound message from the aliens may never be spoken: We are not alone or unique. Contact would tell us that life and intelligence have evolved elsewhere in the Universe, and that they may be common by-products of cosmic evolution. Contact would tend to confirm the theory that life evolves chemically from inanimate mat- ter, through universal processes,implying that there are other alien civilizations in addition to the one we had detected. We might see ourselves as just one example of biocosmic processes, one facet of the Universe becoming aware of itself. We would undergo a revolution in the way that we conceive our own position in the Universe; any remaining pretense of centrality or a special role, any belief that we are a chosen species would be dashed for- ever, completing the process begun by Copernicus four centuries ago.
The revelation that we are not the most technologi-cally advanced intelligent species could lead to a humbling deflation of our sense of self-importance. We might reclassify ourselves to a lower level of ability and worth. This leveling of our pretensions, this anti-hubris, could be intensified if we were confronted with alien technology beyond our understanding. (Arthur C. Clarke has observed that any sufficiently advanced tech-nology would be indistinguishable from magic.) "ANY SUFFICIENTLY ADVANCED TECHNOLOGY IS INDISTINGUABLE FROM MAGIC"
UNCONDITIONAL LIFE MASTERING THE FORCES THAT SHAPE PERSONAL REALITY Deepak Chopra 1991 A Mirage of Miracles Page 89 "The Mask of Maya" "...denoting the ability of gods to change form, to make worlds, to assume masks and disguises." "Maya also means magic a show of illusions" "Maya also denotes the delusion of thinking that you are seeing reality when in fact you are only seeing a layer of trick effects superimposed upon the real reality True to its deceptive nature, Maya is full of paradoxes. First of all it is everywhere, even though it doesnt exist. It is / Page 90 / often compared with a desert mirage, yet unlike a mirage Maya does not merely float "out there" The Mysterious One is nowhere if not in each person. Finally Maya is not so omnipotent that we cannot control it - and that is the key point Maya is fearfull or diverting all powerful or completely impotent depending on your perspective." "The fearfull illusion becomes a wonderful show if only you can manipulate it."
THE ZED ALIZ ZED AND THE VERY FAR YONDER SCRIBE BLOWS A KISS A KISS BLOWS BLOWS EVERYONE A KISS A KISS EVERYONE HE'S A LOVE SHE'S A LOVE SHE'S A LOVE HE'S A LOVE ALL THAT OF CREATION R LOVED LOVED R U U R LOVED LOVED R CREATION OF THAT ALL
REALITY FANCY DRESS THE DRESS FANCY REALITY THE PLAY GODS GAME GODS PLAY AS YOU LIKE IT GODS WONDERFUL REALITY REALITY WONDERFUL SPUN FROM DIVINE THOUGHTS THOUGHTS DIVINE SPUN FROM THE LIVING EVERYTHING INCLUDING YOUR DIVINE THOUGHTS NEGATIVE BALANCING POSITIVE POSITIVE BALANCING NEGATIVE DARK BALANCING LIGHT LIGHT BALANCING DARK MASS BALANCING ENERGY ENERGY BALANCING MASS PERFECT GOD INTELLIGENT CREATORS CREATORS INTELLIGENT GOD PERFECT THAT THATTHAT THAT THAT THAT ISISIS THAT THAT THAT
I = 9 ME = 9 9 = EM 9 = I YOU = 7 7 = UOY
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Page 214 NAMING THE 99 NAMES OF ALLAH LOVE DIVINE DIVINE LOVE
THE FINGERPRINTS OF THE GODS Page 273 "The precessional numbers highlighted by Sellers in the Osiris myth are 360, 72, 30 and 12." "These he joined to the 360 days of which the year then consisted (emphasis added)." "Elsewhere the myth informs us that the 360 - day year consists of "12 months of 30 days each". Note 6 And in general,as Sellers observes , "phrases are used which prompt simple mental calculations and an attention to numbers ". note 7 "Elsewhere the myth informs us that the 360-day year consists of '12 months of 30 days each'. Thus far we have been provided with three of Seller's precessional: 360, 12 and 30. The fourth number,which occurs later in the text, is by far the most important. As we saw in Chapter Nine, the evil deity known as Set led a group of conspirators in a plot to kill Osiris. The number of these conspirators was 72."
THE FINGERPRINTS OF THE GODS Graham Hancock 1995 Page 273 "The precessional numbers highlighted by Sellers in the Osiris myth are 3+6+0 = 9, 7+2=9, 3+0=3 and 1+2=3." "These he joined to the 3+6+0=9 days of which the year then consisted (emphasis added)." "Elsewhere the myth informs us that the 3+6+0=9 - day year consists of "1+2=9 months of 3+0=3 days each". Note 6 And in general,as Sellers observes , "phrases are used which prompt simple mental calculations and an attention to numbers ". note 7 "Elsewhere the myth informs us that the 3+6+0=9-day year consists of '1+2=3 months of 3+0=3 days each'. Thus far we have been provided with three of Seller's precessional: 3+6+0=9, 1+2 and 3+0=9. The fourth number,which occurs later in the text, is by far the most important. As we saw in Chapter Nine, the evil deity known as Set led a group of conspirators in a plot to kill Osiris. The number of these conspirators was 7+2=9."
HOLY BIBLE Scofield References Jeremiah B.C. 590 Page 809 8 x 9 = 72 7 + 2 = 9 Chapter 33 Verse 3 x 33 = 99
THE SPLENDOUR THAT WAS EGYPT Margaret A. Murray 1949 Page 101 "In many countries the Divine King was allowed to reign for a term of years only , usually seven or nine or multiples of those numbers". SEVEN OR NINE OR MULTIPLES OF THOSE NUMBERS
THE MAYAN PROPHESIES Adrian G. Gilbert and Morris M. Cotterell 1997 Edition Appendix 7 Page 345 'Mayan numbers - summary nine = magic number of the Maya. All relevant numbers compound to nine.'
ALL RELEVANT NUMBERS COMPOUND TO NINE
THE SUPER GODS Morris M. Cotterell Page 188 'The recurring 9999 is an invitation to round up this number to 269, i.e. 260 and 9."
THE 9ECU999NG 9999
NUMBER 9 The Search for the Sigma Code Cecil Balmond Page 45 "From ancient times number nine was seen as a full complement; it was the cup of special promise that brimmed over" FROM ANCIENT TIMES NINE WAS SEEN AS A FULL COMPLEMENT
Search resultsElectronic Anomie: A Lot of Special Numbers Thursday, November 29, 2007 9999 is a Kaprekar Number (a number that when squared and then the digits in the squared number are added together equal the original number)
9 9 9 9 9 9 9 9 9 THE UPSIDE DOWN OF THE DOWNSIDE UP 6 6 6 6 6 6 6 6 6
ISISIS THAT LIGHT THAT THAT LOVE THAT THAT DIVINE LOVE LIGHT THAT LIGHT LOVE DIVINE MAM = 9 9 = DAD CHILD = 9 9 = CHILD
PUREST = 9 9 = PUREST
DIVINE = 9 9 = DIVINE
LOVE = 9 9 = LOVE
REALITY = 9 9 = REALITY
THE
99 NAMES OF GOD 99
LOVEEVOLVEEVOLVELOVELOVEEVOLVEEVOLVELOVE
IN THE BEGINNING GOD CREATED THE HEAVEN AND THE EARTH AND THE EARTH WAS WITHOUT FORM AND VOID AND DARKNESS WAS UPON THE FACE OF THE DEEP AND THE SPIRIT OF GOD MOVED UPON THE FACE OF THE WATERS AND GOD SAID LET THEIR BE LIGHT AND THERE WAS LIGHT I AM ALPHA AND OMEGA WITHOUT BEGINNING WITHOUT END I AM THAT THAT THAT AM I
TO THE BLESSED PEOPLES OF EARTH CHILDREN OF THE RAINBOW LIGHT GREETINGS PEACE AND GOODWILL BE UNTO YOU AND UNTO ALL SENTIENT BEINGS
THE ARK OF THE COVENANT THE LIGHT IS RISING NOW RISING IS THE LIGHT
THE NUCLEAR FAMILY 1969
THE HUMAN 1973
THE SCULPTURE OF VIBRATIONS 1970
AFRICAN NIGHTMARE SPECTRE OF FAMINE 1975
THE JOURNEYMAN 1977
BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT
FIRST CONTACT 1980
TELL THEM THAT I AM SENT YOU
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1996 Page 254 "...Is there in any sense an interstellar Rosetta Stone? We believe there is a common language that all technical civilizations, no matter how different, must have.That common language is science and mathematics. The laws of Nature are the same everywhere:..." Page 255 " In addition, though the monuments are enabled to 'speak' from the moment that their astronomical context is understood, we have also to consider the amazing profusion of funerary texts that have come down to us from all periods of Egyptian history - all apparently emanating from the same very few common sources5 As we have seen, these texts operate like 'software' to the monuments' 'hardware', charting the route that the Horus-King (and all other future seekers) must follow. We recall a remark made by Giorgio de Santillana and Hertha von Dechend in Hamlet's Mill to the effect that the great strength of myths as vehicles for specific technical information is that they are capable of transmitting that information independently of the knowledge of individual story-tellers.6 In other words as long as a myth continues to be told true, it will also continue to transmit any higher message that may be concealed within its structure - even if neither the teller nor the hearer understands that message."
MAGNETIC = 72 and 7 + 2 = 9 FIELD = 36 and 3 + 6 = 9 MAGNETIC FIELD = 108 and 1 + 0 + 8 = 9 PHYSICS = 99
JUST SIX NUMBERS Martin Rees 1 OUR COSMIC HABITAT I PLANETS STARS AND LIFE Page 24 "A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' " Page 24 / 25 "A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
HARMONIC 288 Bruce Cathie 1977 EIGHT THE MEASURE OF LIGHT Page 95 "The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities." Page 95
"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being 1836 inches," Page 95/97 "A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."
THE TUTANKHAMUN PROPHECIES
Maurice Cotterell 1999 Page 195 "Anderson's Constitutions of the Freemasons (1723) comments:
. . . the finest structures of Tyre and Sidon could not be compared with the Eternal God's Temple at Jerusalem. . . there were employed 3,600 Princes, or 'Master Masons', to conduct the w,ork according to Solomon's directions, with 80,000 hewers of stone in the mountains ('Fellow Craftsmen'), and 70,000 labourers, in all 153,600, besides the levy under Adoniram to work in the mountains of Lebanon by turns with the Sidonians, viz 30,000 being in all 183,600." "being in all 183,600."
THE JUPITER EFFECT John Gribbin and Stephen Plagemann 1977 Page 122 "Seventeen 'major historical earthquakes' are referred to in the report all of which occurred since 1836"
THE BIOLOGY OF DEATH Lyall Watson 1974 Page 49 "As long ago as 1836, in a Manual of Medical Jurisprudence, this was said: 'Individuals who are apparently destroyed in a sudden manner, by certain wounds, diseases or even decapi-tation, are not really dead, but are only in conditions incompatible with the persistence of life."
THE TUTANKHAMUN PROPHECIES Maurice Cotterell 1
999 BEHIND THE WALL OF SILENCE Page 190 "The message concealed here is that the 3 should be squared, which equals 9"
THE CONCEPT OF MIND Gilbert Ryle 1949 Page 227 "CONSIDER THE REPLIES WE SHOULD EXPECT TO GET TO THE FOLLOWING QUESTIONS. 'HOW DO YOU KNOW?' 'HOW DO YOU KNOW THAT THERE ARE TWELVE CHAIRS IN THE ROOM?' 'BY COUNTING THEM.' 'HOW DO YOU KNOW THAT 9 x 17 MAKES 153?' 'BY MULTIPLYING THEM AND THEN CHECKING THE ANSWER BY SUBTRACTING 17 FROM 10 x 17.'"
STEPHEN HAWKING Quest for a theory of everything Kitty Ferguson 1991 Page 103 "The square root of 9 is three. So we know that the third side.' (line ends) There are 13 words and the number 9 in the 33rd line down of page 103
THE WEIGHING IN THE BALANCE OF UNIVERSAL SUFFRAGE MIN DOTH DREAM WHAT DOTH MIN MEAN
SALUTATIONS PEOPLES OF PLANET EARTH THOUGHTS OF LOVE THOUGHTS OF PEACE THOUGHTS OF LIGHT UNTO ALL SENTIENT BEINGS THROUGHOUT THE UNIVERSE OF GODS UNIVERSAL MIND
I ME THE ZED ALIZ ZED THAT LIVING GODS LIVING THAT MAGICAL THREAD MAGICAL SERPENT I PRESENT
IN ORDER TO FIND THE NUMERICAL ROOT NUMBER OF LETTERS OR WORDS
ADD TO REDUCE REDUCE TO DEDUCE I = 9 9 = I R = 18 1 + 8 = 9 9 = 1+8 = 18 = R ESSENCE OF NUMBER ISISIS NUMBER OF ESSENCE
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 250 "Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
THIS IS THE SCENE OF THE SCENE UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z 1+2+3+4+5+6+7+8+9+10+11+12+13+14+15+16+17+18+19+20+21+22+23+24+25+26 1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8
The root value of each word is arrived at by adding together its numerical position within the English Alphabet For example the letter A is 1 and the letter Z is 26, and 2+6 is 8 Distilled to its essence of number A + Z transposes into number 9
THE NUMERICAL ROOT VALUE OF THE ENGLISH ALPHABET A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z ISISIS 9
A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z 1+2+3+4+5+6+7+8+9+10+11+12+13+14+15+16+17+18+19+20+21+22+23+24+25+26 FIRST TOTAL = 351 3+5+1 = 9
A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z 1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8 SECOND TOTAL 126 1+2+6 = 9
ZERO+ONE+TWO+THREE+FOUR+FIVE+SIX+SEVEN+EIGHT+NINE 8+5+9+6+6+5+5+2+5+6+2+8+9+5+5+6+6+3+9+6+9+4+5+1+9+6+1+5+4+5+5+5+9+7+8+2+5+9+5+5 = 45 4+5 = 9
ZERO+ONE+TWO+THREE+FOUR+FIVE+SIX+SEVEN+EIGHT+NINE 8+5+9+6+6+5+5+2+5+6+2+8+9+5+5+6+6+3+9+6+9+4+5+1+9+6+1+5+4+5+5+5+9+7+8+2+5+9+5+5 5 x 14 = 70
THE VOICE OF WEPWAWET 55751552 WEPWAWET
BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT
THE LOST LANGUAGE OF SYMBOLISM Harold Bayley 1912 Page 278 ""According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH, was Egyptian for Light-Light."
Page 278 "ONE-EYE, TWO-EYES, THREE-EYES" "According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH,
THE HOLY BIBLE Scofield References Hosea Chapter 2 Page 922/923 16 And it shall be at that day, saith the LORD, that thou shalt call me Ishi; and shalt call me no more Baali.
AND IT SHALL BE AT THAT DAY SAITH THE LORD THAT THOU SHALT CALL ME ISHI
BHAGAVAD GITA ARUJNA KRISHNA VISHNU SHIVA BRAHMA
I ME I SAY ISIS SAY I I SAY OSIRIS SAY I I SAY CHRIST SAY I I SAY KRISHNA SAY I I SAY RISHI ISHI ISHI RISHI SAY I I SAY VISHNU SHIVA SHIVA VISHNU SAY I ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON
WISDOM OF THE EAST by Hari Prasad Shastri 1948 Page 8 "There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'
THE MAGIC MOUNTAIN Thomas Mann 1875-1955 Page 417 "I preach mathematics."
LIGHT AND LIFE Lars Olof Bjorn 1976 Page197 BY WRITING THE 26 LETTERS OF THE ENGLISH ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE
THE I INVITES ANOTHER LUCK LUCK ANOTHER INVITES
THE MAGICALALPHABET ESSENCE OF NUMBER VALUE OF THE WORDS I = 9 9 = I ME = 9 9 = ME EGO = 9 9= EGO CONSCIENCE = 9 9 = CONSCIENCE DIVINE = 9 9 = DIVINE THOUGHT = 9 9 = THOUGHT OUR = 9 9 = OUR LOVE = 9 9 = LOVE REAL = 9 9 = REAL REALITY = 9 9 = REALITY REVEALED = 9 9 = REVEALED SUN = 9 9 = SUN EARTH = 7 7 = EARTH MOON = 3 3 = MOON VENUS = 9 9 = VENUS JUPITER = 9 9 = JUPITER MAGNETIC = 9 9 = MAGNETIC FIELD = 9 9 = FIELD PHYSICS = 9 9 = PHYSICS ORIONIS = 9 9 = ORIONIS ASCENSION = 9 9 = ASCENSION NAMES OF GOD = 9 9 = NAMES OF GOD THE NINETY NINE NAMES OF GOD = 9 9 = GOD OF THE NINETY NINE NAMES
THE NUMBERS I = 9 9 = I ME = 9 9 = ME BRAIN + BODY = 9 9 = BODY + BRAIN LIGHT + DARK = 9 9 = DARK + LIGHT ENERGY + MASS = 9 9 = MASS + ENERGY MIND + MATTER = 9 9 = MATTER + MIND MAGNETIC + FIELD = 9 9 = FIELD + MAGNETIC POSITIVE + NEGATIVE = 9 9 = NEGATIVE + POSITIVE
MYTHS MATHS MATHS MYTHS ANUBIS A NUMBER IS MIN DOTH DREAM WHAT DOTH MIN MEAN
THE 99 NAMES OF GOD GOD OF NAMES 99
I MASS ENERGY ME LIGHT + DARK 9 9 DARK + LIGHT POSITIVE + NEGATIVE 9 9 NEGATIVE + POSITIVE
"I PLAY PLATO CHESS"
I PLAY PLATO CHESS I = 9 PLAY = 9 PLATO =1 CHESS = 9 9 + 9 + 1 + 9 = 28 2 + 8 = 10 1 + 0 = 1
FRIDAY = 63 6 + 3 = 9 LUCKY = 54 5 + 4 = 9 THIRTEEN = 99 = 9 + 9 = 18 1+ 8 =9
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1996 Page 254 "...Is there in any sense an interstellar Rosetta Stone? We believe there is a common language that all technical civilizations, no matter how different, must have. That common language is science and mathematics. The laws of Nature are the same everywhere:..."
KING SOLOMONS TEMPLE = 234 AND 81 AND 18 1+8 = 9 KING SOLOMON = 144 AND 54 AND 9 ACACIA 1+3+1+3+9+1 ACACIA = 9 9 = ACACIA
FINGERPRINTS OF THE GODS G Hancock 1995 Page 287 "What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics." "Of all the other stupendous inventions,' Galileo once remarked, what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3"
WHAT ONE WOULD LOOK FOR THEREFORE WOULD BE A UNIVERSAL LANGUAGE THE KIND OF LANGUAGE COMPREHENSIBLE TO ANY TECHNOLOGICALLY ADVANCED SOCIETY IN ANY EPOCH SUCH LANGUAGES ARE FEW AND FAR BETWEEN BUT MATHEMATICS IS ONE OF THEM
"ALL IS NUMBER" PYTHAGORAS 3 x 4 x 5
THE MAGIC MOUNTAIN Thomas Mann 1875-1955 Page 417 "I preach mathematics."
THE BLESSED
9
CONSIDER
The reference to self as expressed in the letter I is a constant reiteration of the holy symbol indicating the 9th position occupied by this letter within tthe English Alphabet.
The English language transmuted into number is one of the main conduits through which appear, a clearer understanding of those refracted patterns, apparently random, describing the energies which intermingled within the great here and now are considered the living experience of reality.
I = 9
Me = 18 and 1 + 8 = 9
Ego = 27 and 18 finally 1 + 8 = 9
Conscience = 90 and 45 finally 4 + 5 = 9
Self = 42 = 15 = 6 Soul = 67 = 13 = 4 ISIS as number is 9-19-9-19 which reduces via 9-1-9-1 to 20 and finally 2 + 0 = 2 OSIRIS as number is 15-19-9-18-9-19 which reduces via 6-1-9-9-9-1 to 89 and finally 8 + 9 =17 Finally 1+7 the root number for OSIRIS Lord of the underworld is revealed as number 8
EYES = 9 9 = EYES
ISIS = 9 - 19 - 9 - 19 becomes 9 - 1 - 9 - 1 = ISIS
IRIS = 9 - 18 - 9 - 19 becomes 9 - 9 - 9 - 1 = IRIS
SIRIUS 19 - 9 - 18 - 9 - 21 - 19 becomes 1 - 9 - 9 - 9 - 3 - 1 - SIRIUS SIRIUS = 5 5 = SIRIUS SOTHIS = 9 9 = SOTHIS ORIONIS = 9 9 = ORIONIS
I AM THAT I THAT AM I 9 AM THAT 9 THAT 9 AM 9
CONSIDER HAFNIUM has the atomic number 72.
If this word is transcribed into number via the position each letter occupies within the context of the English Alphabet.
A=1 to Z =26
Then the word HAFNIUM (Atomic number 72) transposes initially to 72, (coincidence?)
H =8
A = 1
F = 6
N =14 (1+ 4 = 5)
I = 9
U =21 (2+1=3)
M =13 (1+3=4)
First Total 72
Second Total
8+1+6+5+9+3+4 = 36
Finally 3 + 6 are added together, unlocking the numerical root essence of the word HAFNIUM
HAFNIUM = 9
If the same criteria is applied to the Greek word IOTA the ninth letter of the Greek alphabet. The final distillation of the transposed letters arrived at is number 9.
ADD TO REDUCE REDUCE TO DEDUCE
CONSIDER
the word
JUPITER - the 9th and largest of the planets relative to size, this word reduces as follows.
J =10 and 1+ 0 is 1
U = 21and 2 + 1 is 3
P =16 and 1 + 6 is 7
I = 9 and 9 ISISIS 9
T= 20 and 2 + 0 is 2
E = 5
R = 18 and 1 + 8 is 9
Thus
Jupiter = 99
Jupiter = 36
Jupiter = 9
JUPITER WHEN STOOD IN LINE WEIGHS IN AT NUMBER 99 9 + 9 18 1+8 9
PYTHAGORAS 3 x 4 x 5
The root number of the 3 lettered word SUN is 9
The root number of the 4 lettered word MOON is 57 reducing initially to 21 and then to 3
The root number of the 5 lettered word EARTH is 52 reducing via 25 to 7
ADD TO REDUCE REDUCE TO DEDUCE This is the key to revealing the magnetically drawn numerical language links contained within a hidden reality REALITY = 90 and 36 finally 3 + 6 = 9
OUR = 54 and 18 finally 9
LOVE = 54 and 18 finally 1+ 8 = 9
Platos number
FIFTYFOUR = 126 and 54 finally 5 + 4 = 9
OUR LOVE OUR ISISIS 9 The number of DIVINE is 63 (first change) then 36 (second change) and finally 3 + 6 is 9 The number of THOUGHT is 99 (first change) then 36 (second change) and finally 3 + 6 is 9
DIVINE LOVE DIVINE ISISIS 9
Think of the binary system, the numerical sequencing used in computer communications. Note the curious juxtaposition of certain transposed words like
LIVE EVIL EVIL LIVE LIVED DEVIL DEVIL LIVED EARTH HEART THERA TERAH Abrahams fathers name Terah
THAT SERPENT I PRESENT SPINE PENIS NILE LINE
THE NINTH LETTER OF THE GREEK ALPHABET IOTA = 45 4+5 9
THE MAGIC 7 Another way of looking at language and number is the arithmetical arrangements and formulae secretly resident within inverted capital letters. For example
HINOSXZ the upside down of the downside up ZXSONIH
H = 8
I = 9
N = 14 and 1+ 4 = 5
O = 15 and 1+ 5 = 6
S = 19 and 1+ 9 = 10 then 1+0 = 1
X = 24 and 2 + 4 = 6
Z = 26 and 2 + 6 = 8
First total 8 + 9 +14 + 15 + 19 + 24 + 26 = 115 and 1 + 1 + 5 = a root value of 7 Second Total 8 + 9 + 5 + 6 + 1 + 6 + 8 = 43 finally 4 + 3 = 7
SPHINXZION
1 and 8 and 8 and 1
the downside up of the upside down
It can be seen that these letters and numbers inverted remain visually the same. Examples affecting the whole word are,
ONION, SIN, ZION, NIXON.
Words like God, Phoenix and Sphinx, or Magician Magic and Magi also contain the revolving symbols, and hereuponin distinct patterns begin to appear.
CONSIDER There are 9 planets
There are seven openings in the human head and two in the body 9 in all. (Ignoring design appendages)
There are seven capital letters and two numbers which remain the same when inverted. 9 in total. Creative patterns can be observed which tell a different story about the nature of realities intelligent living formations other than those which are generally available unto our obscured inner vision.
I I PI WITH MY LITTLE I IF THINE I OFFEND THEE I SAID THE FLY WITH MY LITTLE I i I SAW HIM DIE
TWO EYES YOU ARE TWO EYES YOU BE I SEE YOU ARE TWO WISE FOR ME I WILL KEEP AN I OPEN FOR YOU THE I EYE I OF HORUS
E = 5
Y = 25
E = 5
S = 19
TOTAL = 54. 5 + 4 = 9 FIFTYFOUR. Guess what sequence of numbers, the blessed PLATO'S FIFTYFOUR reduces to on its journey to reveal the holy wholly holy number 9. The word PHYSICS = 99 then 9+9 =18 and 1 + 8 = 9
The names of the holy family when expressed in the order JOSEPH - root numerical value 1. . .6 letters in the word JOSEPH . . . 1 + 6 = 7
JESUS - root numerical value 2 . . . 5 letters in the word JESUS . . . 2 + 5 = 7
MARY - root numerical value 3 . . . 4 letters in the word MARY . . . 3 + 4 = 7
1 + 2 + 3 + 4 + 5 + 6 = 21. . . 2 +1 = 3
How many times shall I forgive my brother How many times shall I forgive my sister ?
THE MAGIKALAPHABET NUMERICAL CONSEQUENCE OF CHRIST IS 77
C = 3
H = 8
R = 18 and 1 + 8 = 9
I = 9
S = 19 and 1 + 9 = 10 1 + 0 = 1
T = 20 and 2 + 0 = 2
First Total 3 + 8 + 18 + 9 + 19 + 20 = 77
Second Total 3 + 8 + 9 + 9 + 1 + 2 = 32 finally 3 + 2 = 5
The numerical transposition of the words
JESUS CHRIST
First Total = 151
Second Total 43
Finally 4 + 3 = 7
THE SO EVEN SEVEN THE SEMEN OF THE WORD SEVEN SEVEN Reduces initially to 65 then 20 and finally to its distilled root number of (two) 2
GOLIATH of GATH 9 foot 9 inches tall GOLIATH = 9 GATH = 9
MIN DOTH DREAM WHAT DOTH MIN MEAN
STARSEEKERS THE AGE OF ABSTRACTION Colin Wilson 1980 Chapter Three Page 63 6+3 = 9 "There is a simple trick involving numbers that can be guaran-teed to produce astonishment at any party. You ask someone to write down his telephone number, then to write it a second time with the figures jumbled up. Next, tell him to subtract the smaller from the larger number, and keep on adding up the figures in the answer until he has reduced it to one figure. (5019 becomes 10, which in turn becomes 1 plus 0 - that is, 1.) When he has finished, you may tell him authoritatively: 'The answer is nine.' You can afford to be dogmatic; for the answer is always nine. It works with any set of figures, no matter how small or how large. Jumble up the figures, subtract one from the other, and the answer always reduces to 9. I have no idea why this is so, and have never come across a mathematician who could explain it. It is just one of those peculiar properties of numbers." "You ask someone to write down his telephone number, then to write it a second time with the figures jumbled up. Next, tell him to subtract the smaller from the larger number, and keep on adding up the figures in the answer until he has reduced it to one figure. (5019 becomes 10, which in turn becomes 1 plus 0 - that is, 1.) When he has finished, you may tell him authoritatively: 'The answer is nine.' You can afford to be dogmatic; for the answer is always nine. It works with any set of figures, no matter how small or how large. Jumble up the figures, subtract one from the other, and the answer always reduces to 9."
? AND THE ANSWER ALWAYS REDUCES TO NINE WHY WHY WHY Y Y Y WHY WHY WHY Y Y Y WHY WHY WHY
9 OPENINGS IN THE BODY ? NINE PLANETS ? THE ORIGINAL EGYPTIAN GODS NUMBERED NINE ? THE MOTHER AWAITS NINE MONTHS THE BIRTH ? JUPITER FRONT TO BACK NUMBERS NINTH SIZED PLANET WHEN STANDING IN THE PACK ? THE WORD JUPITER TRANSCRIBED WITHIN THE MAGIKALALPHABET NUMBERS 99 ? THAT 9 + 9 IS 18 1+8 IS 9 HAFNIUM THE SEVENTY SECOND ELEMENT HAS THE CUMULATIVE NUMBER 72 7 + 2 9 ? NINE
ABRAHAM WAS CIRCUMCISED IN HIS NINETY NINTH YEAR ?
ABRAHAM A BRAHMAN IS ?
IN THE MAGIKALALPHABET THE WORD ISIS AS NUMBER READS 9 - 19 - 9 - 19 ? THAT
PYTHAGORAS 3 x 4 x 5
SUN = 9 9 = SUN The root number of the 5 lettered word EARTH is 52 reducing via 25 to 7 The root number of the 4 lettered word MOON is 57 reducing initially to 21 then to 3
SUN 9 9 SUN EARTH 7 7 EARTH MOON 3 3 MOON IF ALL LIFE ON EARTH IS DEPENDENT ON THE SUN IS THEREFORE THE SUN ALIVE
EARTH HEART THERA TERAH
THE MAGIKALALPHABET ADD TO REDUCE REDUCE TO DEDUCE
JUST SIX NUMBERS Martin Rees 1 OUR COSMIC HABITAT PLANETS STARS AND LIFE Page 24 A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence'
THE SEVENTH SLEEPER AWAKES
----- Original Message ----- From: Anthony To: david denison Sent: Saturday, August 08, 2009 7:38 AM Subject: The Seventh Sleeper Awakens Hello, my name is EnDZYm3. I am speaking on behalf of the community at 4chan. Recently, a post has been made on 4chan [the /x/ section in particular] about the awakening of The Seventh Sleeper. It goes as follows: "On his awakening there shall not be one but
77SEVEN77 Right away, it was noticed that the image size [that went along with the post] was rather large. We tried to open it with WinRAR and noticed that it was password protected. [The password was figured out to be 'next'.] Extracted from the image was another image entitled 'The Seventh Sleeper Awakens.jpg'. Just like the image before it, it was password protected. This time, the password was 'septem', the latin word for 'seven'. The first is titled "749" 749.txt SevenFortyNine-SevenFortyNine-SevenFortyNine-SevenFortyNine-SevenFortyNine-SevenFortyNine-SevenForty ------------------------------------------ The second .txt file is titled "Niether of Either" Neither of Either.txt THE ------------------------------------------- We, the community at 4chan/x/ are currently in the process of deciphering these messages. We are currently seeking your input on the matter. Our main questions are; "What does this mean?" We would also like to ask that you keep explanations non-cryptic. If this is not possible, that is okay as well. We will still try our best to uncover the truth behind the mystery of The Seventh Sleeper. Thank you in advance for your kind patronage,
----- Original Message -----
Anthony, fraternal greetings I am much encouraged by the interest shown in the site by yourself and other members of your community at 4chan. That was yesterday Anthony, and today I have been drowning metaphorically speaking. As a result the e-mail I intended to send has now become a document on the site and I thank you and your friends for precipitating another of the twists and turn that are the mark of this creative journey. The response to your e-mail is located towards the end of that document (Please see link). As you can see there are a number of other references which are available. I hope you will check them out eventually. Okay Anthony thanks again to you and and all the members at 4 chan. Further to my suggestion regarding the site Oracle http://www.973-eht-namuh-973.com/forum/ any contributions to the subject matter in hand that you or your members might make to the Oracle would be appreciated. Regarding registration. There has been a problem with robotic registrations. This has now been fixed. Also If you think it right to do so please sow the seeds of "The Great Work" to the all and sundry of Beloved planet Earth. The Light Is Rising now Rising Is The Light.
http://973-eht-namuh-973.com/Alchemy/THE%20SEVENTH%20SLEEPER.htm http://973-eht-namuh-973.com/Alchemy/ADVENT%20950.html http://973-eht-namuh-973.com/Alchemy/ADVENT%20ALL%20SORTS%207.htm http://973-eht-namuh-973.com/Alchemy/ADVENT%20695.htm http://973-eht-namuh-973.com/Alchemy/THE%20ALIEN%20.htm http://973-eht-namuh-973.com/Alchemy/SERENDIPITY.htm http://973-eht-namuh-973.com/Alchemy/FIRST%20CONTACT%20ONE.htm http://973-eht-namuh-973.com/Alchemy/ADVENT%20703.htm http://973-eht-namuh-973.com/Alchemy/ADVENT%20948.html http://973-eht-namuh-973.com/coloured%20site/fifth%20button/fifthindex.htm
THE MAGIC MOUNTAIN Thomas Mann 1924 Page 711 THE THUNDERBOLT "During those days of stifling expectation when the nerves of Europe were on the rack, Hans Castorp did not see Herr Settembrini. The newspapers with their wild, chaotic contents pressed up out of the depths to his very balcony, they disorganized the house, filled the dining room with their sulpherous stifling breath, even penetrated the chambers of the dying. There were moment when the "Seven-Sleeper," not knowing what had happened, was slowly stirring himself in the grass before he sat up, rubbed his eyes - yes, let us carry the figure to the end, in order to do justice to the movement of our hero's mind: he drew up his legs, stood up, looked about him. He saw himself released, freed from enchantment - not of his own motion, he was fain to confess, but by the operation of exterior powers, of whose activities his own liberation was a minor incident indeed! Yet though his tiny destiny fainted to nothing in the face of the general, was there not some hint of a personal mercy and grace for him, a manifestation of divine goodness and justice? Would life receive again her erring and "delicate" child - not by a cheap and easy slipping back to her arms, but sternly, solemnly, penitentially - perhaps not even among the living, but only with three salvoes fired over the grave of him a sinner? Thus might he return. He sank to his knees, raising face and hands to a heaven that howsoever dark and sulphourous was no longer the gloomy grotto of his state of sin."
A MYSTERIOUS VOICE IN THE NIGHT LOVE EVOLVE LOVE EVOLVE LOVE
THE DIVINE INVASION Phillip Dick 1981 "The time you have waited for has come. The work is complete: the final world is here. He has been transplanted and is alive." -Mysterious voice in the night Page 85 'What's wrong?' Elias put his arm around the boy and lifted him up to hold him. 'I've never seen you so upset.' 'He listened to that while my mother was dying!' Emmanuel stared into Elias's bearded face. I remember, Emmanuel said to himself. I am beginning to remember who I am. Elias said, 'What is it?' He held the boy tight. It is happening, Emmanuel realized. At last. That was the first of the signal that I - I myself - prepared. Knowing it would eventually fire. The two of them gazed into each other's faces. Neither the boy nor the man spoke. Trembling, Emmanuel clung to the old bearded man; he did not let himself fall. 'Do not fear,' Elias said. 'Elijah,' Emmanuel said. 'You are Elijah who comes first. Before the great and terrible day.' Elias, holding the boy and rocking him gently, said, 'You have nothing to fear on that day.' 'But he does,' Emmanuel said. 'The Adversary whom' we hate. His time has come. I fear for him, knowing as I do, now, what is ahead.' 'Listen,' Elias said quietly. How you have fallen from heaven, bright morning star, felled to the earth, sprawling helpless across the nations! You thought in your own mind, I will scale the heavens; I will set my throne high above the stars of God, I will sit on the mountain where the gods meet in the far recesses of the north. I will rise high above the cloud-banks and make myself like the Most High. Yet you shall be brought down to Sheol, to the depths of the abyss. Those who see you will stare at you, they will look at you and ponder. . .
Page 86 'You see?' Elias said. 'He is here. This is his place, this little world. He made it his fortress two thousand years ago, and set up a prison for the people as he did in Egypt. For two thousand years the people have been crying and there was no response, no aid. He has them all. He'll thinks he is safe.' Emmanuel, clutching the old man, began to cry. 'Still afraid?' Elias said. Emmanuel said, 'I cry with them. I cry with my mother. I cry with the dying dog who did not cry. I cry for them. And for Belial who fell, the bright morning star. Fell from heaven and began it all.' And, he thought, I cry for myself. I am my mother; I am the dying dog and the suffering people, and I, he thought, am that bright morning star, too. . . even Belial; I am that and what it has become.
DAILY MAIL Wednesday, March 12, 2008 Allison Pearson Page 15 "It's a bleak picture that brings to mind W.B. Yeats's great poem about a world where the natural order of things has catastrophically broken down: 'Things fall apart; the centre cannot hold;/Mere anarchy is loosed, and everywhere/The ceremony of innocence is drowned,'
"And now, things fall apart. The centre cannot hold. ... What W. B. Yeats’s ‘Second Coming’ Really Says About the Iraq War - New York Times ... en.wikipedia.org/wiki/The_Second Coming_(poem) From Wikipedia, the free encyclopedia"The Second Coming" is a poem by William Butler Yeats first printed in The Dial (November 1920) and afterwards included in his 1921 verse collection Michael Robartes and the Dancer. The poem uses religious symbolism to illustrate Yeats' anguish over the apparent decline of Europe's ruling class, and his occult belief that Western civilization (if not the whole world) was nearing the terminal point of a 2000-year historical cycle. The poem was written in 1919 in the aftermath of the First World War.[1] The various manuscript revisions of the poem also have references to the French and Irish Revolutions as well as to Germany and Russia. It is highly doubtful that the poem was solely inspired by the Russian Revolution of 1917, which some claim Yeats viewed as a threat to the aristocratic class he favored .[citation needed] Early drafts also included such lines as: "And there's no Burke to cry aloud no Pitt," and "The good are wavering, while the worst prevail."[citation needed] The sphinx or sphinx-like beast described in the poem had long captivated Yeats' imagination. He wrote the Introduction to his play The Resurrection, "I began to imagine [around 1904], as always at my left side just out of the range of sight, a brazen winged beast which I associated with laughing, ecstatic destruction", noting that the beast was "Afterwards described in my poem 'The Second Coming'". Critic Yvor Winters has observed, "…we must face the fact that Yeats' attitude toward the beast is different from ours: we may find the beast terrifying, but Yeats finds him satisfying – he is Yeats' judgment upon all that we regard as civilized. Yeats approves of this kind of brutality." Manuscript variations can be found in Yeats, William Butler. Michael Robartes and the Dancer Manuscript Materials. Thomas Parkinson and Anne Brannen, eds. Ithaca, NY: Cornell University Press, 1994. The Poem
Origins of terms The word gyre used in the poem's first line is drawn from Yeats's book A Vision, which sets out a theory of history and metaphysics which Yeats claimed to have received from spirits. The theory of history articulated in A Vision centers on a diagram composed of two conical spirals, one situated inside the other, so that the widest part of one cone occupies the same plane as the tip of the other cone, and vice versa. Around these cones he imagined a set of spirals. Yeats claimed that this image (he called the spirals "gyres") captured contrary motions inherent within the process of history, and he divided each gyre into different regions that represented particular kinds of historical periods (and could also represent the psychological phases of an individual's development). Yeats believed that in 1921 the world was on the threshold of an apocalyptic moment, as history reached the end of the outer gyre (to speak roughly) and began moving along the inner gyre. In his own notes, Yeats explained: "The end of an age, which always receives the revelation of the character of the next age, is represented by the coming of one gyre to its place of greatest expansion and of the other to that of its greatest contraction. At the present moment the life gyre is sweeping outward, unlike that before the birth of Christ which was narrowing, and has almost reached its greatest expansion. The revelation which approaches will however take its character from the contrary movement of the interior gyre. All our scientific, democratic, fact-accumulating, heterogeneous civilization belongs to the outward gyre and prepares not the continuance of itself but the revelation as in a lightning flash, though in a flash that will not strike only in one place, and will for a time be constantly repeated, of the civilization that must slowly take its place...when the revelation comes it will not come to the poor but to the great and learned and establish again for two thousand years prince and vizier." The lines "The best lack all conviction, while the worst / Are full of passionate intensity" are a paraphrase of one of the most famous passages from Percy Bysshe Shelley's Prometheus Unbound, a book which Yeats, by his own admission, regarded from his childhood with religious awe:
In the early drafts of the poem, Yeats used the phrase "the Second Birth", but substituted the phrase "Second Coming" while revising. His intent in doing so is not clear. The Second Coming described in the Biblical Book of Revelation is here anticipated as gathering dark forces that would fill the population's need for meaning with a ghastly and dangerous sense of purpose. Though Yeats's description has nothing in common with the typically envisioned Christian concept of the Second Coming of Christ, it fits with his view that something strange and heretofore unthinkable would come to succeed Christianity, just as Christ transformed the world upon his appearance. The "spiritus mundi" (literally "spirit of the world") is a reference to Yeats' belief that each human mind is linked to a single vast intelligence, and that this intelligence causes certain universal symbols to appear in individual minds.
DAILY MAIL Wednesday, March 12, 2008 Allison Pearson Page 15 "It's a bleak picture that brings to mind W.B. Yeats's great poem about a world where the natural order of things has catastrophically broken down: 'Things fall apart; the centre cannot hold;/ Mere anarchy is loosed, and everywhere/ The ceremony of innocence is drowned,'
THE MAGIC MOUNTAIN Thomas Mann 1875-1955 Page 466 "Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement.
WAY OF THE PEACEFUL WARRIOR A BOOK THAT CHANGES LIVES Dan Millman 1980 Page 44 "...do you recall that Itold you we must work on changing your mind before you can see the warrior's way? / Page 45 / "Yes, but I really don't think. . ."
YEA THOUGH I WALK THROUGH THE VALLEY OF THE SHADOW OF DEATH I WILL FEAR NO EVIL FOR THOU ART WITH ME
I SAY ISHI TELL IRISH RISHI HOW MANY FISH DIED THE DEATH
S Y+M+B+O+L+I+S+M
"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection'
WISDOM OF THE EAST by Hari Prasad Shastri 1948 Page 8 "There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'
THE LOST LANGUAGE OF SYMBOLISM Harold Bayley 1912 Page 278 ""According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH, was Egyptian for Light-Light."
BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT
THE LOST LANGUAGE OF SYMBOLISM Harold Bayley 1912 Page 278 ""According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH, was Egyptian for Light-Light."
Page 278 "ONE-EYE, TWO-EYES, THREE-EYES" "According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH,
THE HOLY BIBLE Scofield References Hosea Chapter 2 Page 922/923 16 And it shall be at that day, saith the LORD, that thou shalt call me Ishi; and shalt call me no more Baali.
AND IT SHALL BE AT THAT DAY SAITH THE LORD THAT THOU SHALT CALL ME ISHI
BHAGAVAD GITA ARUJNA KRISHNA VISHNU SHIVA BRAHMA
I ME I SAY ISIS SAY I I SAY OSIRIS SAY I I SAY CHRIST SAY I I SAY KRISHNA SAY I I SAY RISHI ISHI ISHI RISHI SAY I I SAY VISHNU SHIVA SHIVA VISHNU SAY I ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON
WISDOM OF THE EAST by Hari Prasad Shastri 1948 Page 8 "There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'
YEA THOUGH I WALK THROUGH THE VALLEY OF THE SHADOW OF DEATH I WILL FEAR NO EVIL FOR THOU ART WITH ME
THE MAGIC MOUNTAIN Thomas Mann 1924 Page 711 THE THUNDERBOLT "During those days of stifling expectation when the nerves of Europe were on the rack, Hans Castorp did not see Herr Settembrini. The newspapers with their wild, chaotic contents pressed up out of the depths to his very balcony, they disorganized the house, filled the dining room with their sulpherous stifling breath, even penetrated the chambers of the dying. There were moment when the "Seven-Sleeper," not knowing what had happened, was slowly stirring himself in the grass before he sat up, rubbed his eyes - yes, let us carry the figure to the end, in order to do justice to the movement of our hero's mind: he drew up his legs, stood up, looked about him. He saw himself released, freed from enchantment - not of his own motion, he was fain to confess, but by the operation of exterior powers, of whose activities his own liberation was a minor incident indeed! Yet though his tiny destiny fainted to nothing in the face of the general, was there not some hint of a personal mercy and grace for him, a manifestation of divine goodness and justice? Would life receive again her erring and "delicate" child - not by a cheap and easy slipping back to her arms, but sternly, solemnly, penitentially - perhaps not even among the living, but only with three salvoes fired over the grave of him a sinner? Thus might he return. He sank to his knees, raising face and hands to a heaven that howsoever dark and sulphourous was no longer the gloomy grotto of his state of sin."
"Seven Sleepers Day - Wikipedia, the free encyclopedia
GermanPod101.com Blog » Blog Archive » German Culture ...
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Frances Beeding 1925 Mystery THE SEVEN SLEEPERS in Facsimile Dust ...
rCATHOLIC ENCYCLOPEDIA: The Seven Sleepers of Ephesus
THE KORAN
Everyman I will go with thee and be thy guide Translated from the Arabic by J. M. Rodwell The Oriental Institute, First published 1909 Page xix FORM In the standard form in which we have it today, the Qur'an is divided into 114 chapters of very unequal length, called suras. The suras are the working units of the revelation. They are largely composite. All but one (sura 9, which may well be unfinished) begin with the formula bi-smi llahi l-rahmani l-rahimi 'in the Name of God, the Merciful, the Compassionate'; and in 29 suras this formula is followed by a group of letters of the Arabic alphabet (e.g. alif, lam, mim, found at the beginning of suras 2, 3, 2.9,30,31 and 32), whose function is unknown but which seem to be of mystical import. "All but one (sura 9, which may well be unfinished) begin with the formula bi-smi llahi l-rahmani l-rahimi 'in the Name of God, the Merciful, the Compassionate'; and in 29 suras this formula is followed by a group of letters of the Arabic alphabet (e.g. alif, lam, mim, found at the beginning of suras 2, 3, 2.9,30,31 and 32), whose function is unknown but which seem to be of mystical import." "All but one (sura 9," (e.g. alif, lam, mim, found at the beginning of suras 2, 3, 2.9,30,31 and 32), whose function is unknown but which seem to be of mystical import." 2+ 3 + 2 + 9 + 30 + 31 + 32 = 109 Page xxiv "...However, by far the most interesting and instructive parallel is between Sura 12 and Genesis 37-47: the story of Joseph. The Quranic narrative, which includes details from the Midrash as well as Genesis, may at first seem rather sketchy, but in Arabic terms it is beautifully judged and effective. It is, incidentally, the only longish sura to be devoted to the telling of a single story." Page xxiii / "...In addition, Sura 18 includes two stories from the Christian periphery to the north of Arabia: the so-called legend of the Seven Sleepers and extracts from the Alexander romance."
THE SEVENTH SLEEPER AWAKES
----- Original Message ----- From: Anthony To: david denison Sent: Saturday, August 08, 2009 7:38 AM Subject: The Seventh Sleeper Awakens Hello, my name is EnDZYm3. I am speaking on behalf of the community at 4chan. Recently, a post has been made on 4chan [the /x/ section in particular] about the awakening of The Seventh Sleeper. It goes as follows: "On his awakening there shall not be one but
77SEVEN77
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Seven Sleepers - Wikipedia, the free encyclopedia Seven Sleepers A legend about them tells of the falling asleep of seven young men in a cave, who wake up after a great deal of time has passed. The basic outline of the tale appears in Gregory of Tours (b. 538 - d. 594), and in Paul the Deacon's (b. 720 - d. 799) History of the Lombards. The best-known version of the story appears in Jacobus de Voragine's Golden Legend. Their story also appears in the Qur'an (Surah 18, verse 9-26) [1], which also includes the mention of an accompanying dog beside them. Contents [hide] [edit] The Legend 300 (or 309) years passed. At some later time — usually, during the reign of Theodosius (379 - 395) — the landowner decided to open up the sealed mouth of the cave, thinking to use it as a cattle pen. He opened it and found the sleepers inside. They awoke, imagining that they had slept but one day. One of their number returned to Ephesus. He was astounded to find buildings with crosses attached; the townspeople were astounded to find a man trying to spend old coins from the reign of Decius. The bishop was summoned to interview the sleepers; they told him their miracle story, and died praising God. [edit] The career of the legend [edit] Syriac Origins The Seven Sleepers form the subject of a homily in verse by the Edessan poet Jacob of Saruq ('Sarugh') (died 521), which was published in the Acta Sanctorum. Another 6th century version, in a Syrian manuscript in the British Museum (Cat. Syr. Mss, p. 1090), gives eight sleepers. There are considerable variations as to their names. Another Syriac version is printed in Land’s Anecdota, iii. 87ff; see also Barhebraeus, Chron. eccles. i. 142ff., and cf Assemani, Bib. Or. i. 335ff. [edit] Dissemination In the 7th century, the myth gained an even wider audience when it found a mention in the Qur'an, in Sura 18, Al-Kahf, verse 9 to 14. See Islamic interpretation. According to Islamic belief, the "myth" has basis in reality, and the "7 sleepers" were pious men who experienced a miracle of God due to their piety and devotion to Tawhid. (The Oneness of God). In the following century, Paul the Deacon told the tale in his History of the Lombards (i.4) but gave it a different setting: In the farthest boundaries of Germany toward the west-north-west, on the shore of the ocean itself, a cave is seen under a projecting rock, where for an unknown time seven men repose wrapped in a long sleep. During the period of the Crusades, bones from the sepulchres near Ephesus, identified as relics of the Seven Sleepers, were transported to Marseille, France in a large stone coffin, which remained a trophy of the church of Saint Victoire, Marseille. The Seven Sleepers were included in the Golden Legend compilation, the most popular book of the later Middle Ages, which fixed a precise date for their resurrection, AD 378, in the reign of Theodosius.(1) [edit] Early modern literature [edit] Modern literature appearances By the pleasant lake the sleepers lie, The Flight of the Eagles series[2] by Gilbert Morris takes a modern approach to the legend, in which seven teenagers must be awakened to fight evil in a post-nuclear-apocalypse world. [edit] Islamic interpretation Muhammad was challenged by the people of Makkah who did not believe in his message and prophethood by a question that the people of Makkah passed to him from the Jews. The Jews knew that Muhammad would only be able to tell the story if he was indeed a prophet. The Jews told the non-believers of Makkah to ask Muhammad "who are the youngs who disappeared, and how many were they?". Muhammad had no clue and told that he would answer them tomorrow, waiting for the answer to be revealed to him through Gebreil. The answer was revealed to Muhammad in a complete Surah named after the cave (Al-Kahf) of the seven sleepers. The Quran revealed the exact story that the Jews knew of, and it answered the questions (how many were the youngs, and for how many years they disappeared) similarly to the information they had. The Quran did not confirm that they slept for 309 years, instead it says that God knows better their duration of sleep. 309 years are words og mouths of people.The Quran however did not give an exact answer to how many were they. It mentioned that some people would tell they are 3 or 5 or 7 in addition to one dog. Jews did not know exactly how many were they 3 or 5 or 7, and were astonished when they knew that the Quran gave all the possible numbers they would suspect for the sleepers. Mentioning the story in the Quran and the concurrent events that happened before revealing the story is claimed to confirm that the Quran was revealed by God and it contains only the words of God and not those of Muhammad, since it contained information that Muhammad did not know of. The Qur'an states that the period of time these sleepers spent in the cave was three hundred years during which the calendar of their people was changed from solar to lunar and, as a result, the period of their sleep has increased to 309 (lunar) years. When they woke up, they had no idea they slept for centuries and thought they only slept a few hours. When they sent one of them to buy food, the coins he used to buy food were out of circulation and drew the attention of the town's people. After the story was widely known, the sleepers died. The Qur'an also mentions a dog among the sleepers, in the 18th verse of the 18th chapter, Surah Al-Kahf. Thou wouldst have deemed them awake, whilst they were asleep, and We turned them on their right and on their left sides: their dog stretching forth his two fore-legs on the threshold: if thou hadst come up on to them, thou wouldst have certainly turned back from them in flight, and wouldst certainly have been filled with terror of them. . (Surah Al-Kahf, Qur'an: 18) The ninth verse of Surah Al Kahf touch upon this group's extraordinary situation. As the narrative unfolds, it is seen that their experiences are of an unusual and metaphysical nature. Their entire life is full of miraculous developments. The tenth verse tells us that those young people sought refuge in the cave from the existing oppressive system, which did not allow them to express their views, tell the truth, and call to Allah's religion. Thus, they distanced themselves from their society. Do you consider that the Companions of the Cave and Ar-Raqim were one of the most remarkable of Our Signs? When the young men took refuge in the cave and said: 'Our Lord, give us mercy directly from You and open the way for us to right guidance in our situation. (Surah Al-Kahf, Qur'an: 9-10) So We sealed their ears with sleep in the cave for a number of years. Then We woke them up again so that we might see which of the two groups would better calculate the time they had stayed there. (Surah Al-Kahf, Qur'an: 11-12) The reason for this state of sleep was their surrender to fate and peace, because Allah, arranges everything for the benefit of the believers. The Qur'an also states that the number of sleepers will be known to God, and only a handful of people. A couple of estimates have been mentioned regarding their true number, as per popular opinion, probably by the time of Muhammed, but quickly rejected as mere conjectures. Such as, they were three, fourth being the dog or they were five, sixth being the dog, etc. However, when a final count of 'seven and their dog being the eighth' is mentioned, muslims generally consider that an approval from God about their correct number, since it is not followed by an explicit rejection of the correctness of that number. Although the very next verse states that the knowledge of their correct number stays with God alone and a few select, it is taken as a reminder that despite the alleged revelation to Muhammad and a legendary mention throughout history, most people do not have any first-hand evidence to support any claims regarding their correct number, if not their very existence. They will say: 'There were three of them, their dog being the fourth.' They will say: 'There were five of them, their dog being the sixth,' guessing at the Unseen. And they will say: 'There were seven of them, their dog being the eighth.' Say: 'My Lord knows best their number. Those who know about them are very few.' So do not enter into any argument concerning them, except in relation to what is clearly known. And do not seek the opinion of any of them regarding them. (Surah Al-Kahf, Qur'an: 22) [edit] Linguistic derivatives in Scandinavian, German and Hungarian [edit] Notes [edit] External references Seven Sleepers videos
Amazon.com: Flight of the Eagles (Seven Sleepers Series #1 ...
THE TIBETAN BOOK OF THE DEAD Edited by W.Y. Evans-Wentz " III. The Esoteric Significance Of the Forty-Nine Days Of The Bardo" Page 6 " Turning now to our text itself, we find that structurally it is founded upon the symbolic number Forty-nine, the square of the sacred number Seven; for, according to occult teachings common to Northern Buddhism and to that Higher Hinduism which the Hindu-born Bodhisattva Who became the Buddha Gautama, the Reformer of the Lower Hinduism and the codifier of the secret Lore, never repudiated,there are seven worlds or seven degrees of Maya 2 within the sangsara, 3 constituted as seven globes of a planetery chain. On each globe there are seven rounds of evolution, making the forty-nine (seven times seven) stations of active existence. As in the / Page 7 / embryonic state in the human species the foetus passes through every form of organic structure from the amoeba to man, the highest mammal, so in the after-death state, the embryonic state of the psychic world, the Knower or principle of con-sciousness, anterior to its re-emergence in gross matter, ana-logously experiences purely psychic conditions. In other words, in both these interdependent embryonic processes - the one physical , the other psychical - the evolutionary and the involutionary attainments, corresponding to the forty-nine stations of existence, are passed through. Similarly, the forty-nine days of the Bardo may also be Symbolical of the Forty and Nine Powers of the Mystery of the Seven Vowels. In Hindu mythology, whence much of the Bardo symbolism originated, these Vowels were the Mystery of the Seven Fires and their forty-nine subdivisional fires or aspects. They are also represented by the Svastika signs upon the crowns of the seven heads of the Serpent of Eternity of the Northern Buddhist Mysteries, originating in ancient India. In Hermetic writings they are the seven zones of after-death, or Bardo , experiences, each symbolizing the eruption in the Intermediate State of a particular seven-fold element of the complex principle of consciousness, thus giving the consciousness-principle forty-nine aspects, or fires, or fields of manifestation 1. The number seven has long been a sacred number among Aryan and other races. Its use in the Revelation of John illustrates this, as does the conception of the seven day being regarded as holy. In Nature, the number seven governs the periodicity and phenomena of life,as, for example, in the series of chemical elements, in the physics of sound and colour, and it is upon the number forty-nine, or seven times seven, that the Bardo Thodol is thus scientifically based."
The Tibetan Book of the Dead Edited by W.Y. Evans-Wentz " III. The Esoteric Significance Of the Forty-Nine Days Of The Bardo" Page 6 " Turning now to our text itself, we find that structurally it is founded upon the symbolic number Forty-nine, the square of the sacred number Seven; for, according to occult teachings common to Northern Buddhism and to that Higher Hinduism which the Hindu-born Bodhisattva Who became the Buddha Gautama, the Reformer of the Lower Hinduism and the codifier of the secret Lore, never repudiated, there are seven worlds or seven degrees of Maya 2 within the sangsara, 3 con-stituted as seven globes of a planetery chain. On each globe there are seven rounds of evolution, making the forty-nine (seven times seven) stations of active existence."
Seven
Hebdomad groupings of seven
Hebdomad turned into it's root essence of number, via the relative position of each letter of that word in the English alphabet. ie A= 1 to Z=26.
Add to reduce
HEBDOMAD
H=8
E=5
B=2
D=4
O=15
M=13
A=1
D=4
HEBDOMAD = 52 5+2=7
Reduce to Deduce
HEBDOMAD
H=8
E=5
B=2
D=4
O=6
M=4
A=1
D=4
HEBDOMAD = 34 3+4=7
Essence of Number
HEBDOMAD = 7
(34 The number of the room door of Thomas Manns hero Hans Castorp in The Magic Mountain)
THE NEW ELIZABETHAN REFERENCE DICTIONARY NEWNES Page 683 hebdomad (heb-do-mad) [L. and Gr. hebdomas -ados (hegdomos, seventh, from hepta, seven)], n. A week, a period of seven days(alluding to Daniel's prophesy, Dan. ix. 27); a group of seven things; (Gnostic Phil.) a group of seven spirits dwelling in the seven planets, also the demi-urge. heb-domal (heb dom a dal). a Consisting of seven days; meeting or occurring weekly."
Seven contains the letters of the word evens. The so even seven
Seven I'm in Heaven.
The numerical value of seven
Add to reduce
SEVEN=19,5,22,5,14=65 6+5=11, 1+1=2
Reduce to Deduce
SEVEN=1,5,4,5,5=20 2+0=2
The numerical essence of number in the word SEVEN is 2.
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From: Dave Denison
To: dave Denison
Sent: Tuesday, August 11, 2009 10:21 PM
Subject: SEVEN
hebdomad - Wiktionary
26 May 2009 ... From late Latin hebdomad, from Greek ἑβδομάς 'group of seven', from ἑπτά 'seven' ... Retrieved from "http://en.wiktionary.org/wiki/hebdomad" ... en.wiktionary.org/wiki/hebdomad - Cached - Similar Hebdomad - Wikipedia, the free encyclopedia
Wikipedia does not have an encyclopedia article for Hebdomad (search results). You may want to read Wiktionary's entry on "hebdomad" instead. ... en.wikipedia.org/wiki/Hebdomad - Cached - Similar Hebdomad Iao Hebdomad (sevenfold) was one of the septenary mystery-gods of the Gnostics, given by Origen as the regent of the moon. The Gnostics had a superior ... www.experiencefestival.com/hebdomad - Cached - Similar septem Search ResultsSeptember - Wikipedia, the free encyclopedia
TO BE OR NOT TO BE THAT IS THE QUESTION TO BE OR NOT TO BE IS THAT THE QUESTION
SEVEN SEVENTEEN SEVENTY SEVENTYONE SEVENTYTWO SEVENTYTHREE SEVENTYFOUR SEVENTYFIVE SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT SEVENTYNINE
SEVEN SEVENTEEN SEVENTY SEVENTYONE SEVENTYTWO SEVENTYTHREE SEVENTYFOUR SEVENTYFIVE SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT SEVENTYNINE 5 x 43 LOOK AT THJE FIVES LOOK AT THE FIVES LOOK AT THE FIVES THE FIVES THE FIVES
SEVEN SEVENTEEN SEVENTY SEVENTYONE SEVENTYTWO SEVENTYTHREE SEVENTYFOUR SEVENTYFIVE SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT SEVENTYNINE 5 x 43 LOOK AT THJE FIVES LOOK AT THE FIVES LOOK AT THE FIVES THE FIVES THE FIVES
SEVEN SEVENTEEN SEVENTY SEVENTYONE SEVENTYTWO SEVENTYTHREE SEVENTYFOUR SEVENTYFIVE SEVENTYSIX SEVENTYSEVEN SEVENTYEIGHT SEVENTYNINE 5 x 43 LOOK AT THJE FIVES LOOK AT THE FIVES LOOK AT THE FIVES THE FIVES THE FIVES
Doctor Faustus The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust. It was written sometime between 1589 and 1592, and may have been performed between 1592 and Marlowe's death in 1593. The devil will come, and Faustus must be damn'd. See, see, where Christ's blood streams in the firmament! Ah, rend not my heart for naming of my Christ! Stretcheth out his arm, and bends his ireful brows!
AMEN ALL MEN ALL MEN AMEN AMEN ALLWOMEN ALL WOMEN AMEN
MAGIC IS AS MAGIC DOES
M+E 9 9 M+E REAL 9 9 REAL REALITY 9 9 REALITY REAL = 36 and 18 finally 1 + 8 = 9 REALITY = 90 and 36 finally 3 + 6 = 9 OUR = 54 and 18 finally 1 + 8 = 9 LOVE = 54 and 18 finally 1 + 8 = 9
The word PHYSICS = 99 then 9+9 =18 and 1 + 8 = 9
The names of the holy family when expressed in the order JOSEPH - root numerical value 1. . .6 letters in the word JOSEPH . . . 1 + 6 = 7 JESUS - root numerical value 2 . . . 5 letters in the word JESUS . . . 2 + 5= 7 MARY - root numerical value 3 . . . 4 letters in the word MARY . . . 3 + 4 = 7 1 + 2 + 3 + 4 + 5 + 6 = 21. . . 2 +1 = 3
I forgive ? LOVE ANOTHER AZ THYSELF THYSELF AZ ANOTHER LOVE
THE MAGIKALAPHABET NUMERICAL CONSEQUENCE OF CHRIST IS 77 C = 3 H = 8 R = 18 and 1 + 8 = 9 I = 9 S = 19 and 1 + 9 = 10 1 + 0 = 1 T = 20 and 2 + 0 = 2 First Total 3 + 8 + 18 + 9 + 19 + 20 = 77 Second Total 3 + 8 + 9 +9 + 1 + 2 = 32 finally 3 + 2 = 5 The numerical transposition of the words JESUS CHRIST First Total = 151 Second Total 43 Finally 4 + 3 = 7
HOW OFT SHALL I FORGIVE ANOTHER TILL SEVEN TIMES ??????? I SAY NOT UNTO THEE UNTIL SEVEN TIMES BUT UNTIL SEVENTY TIMES SEVEN 70 x7 = 490 490 = 7 x 70 EGYPT 1 1 EGYPT E + T 7 7 E + T G = 7 7 = G Y = 7 7 = Y P = 7 7 = P T + E 7 7 T + P HEXAGRAM 77 77 HEXAGRAM
THE SO EVEN SEVEN THE SEMEN OF THE WORD SEVEN SEVEN Reduces initially to 65 then 20 and finally to its distilled root numberof (two) 2
THE KORAN EVERYMAN Everyman I will go with thee and be thy guide Translated from the Arabic by J. M. Rodwell The Oriental Institute, First published 1909 Page xix FORM In the standard form in which we have it today, the Qur'an is divided into 114 chapters of very unequal length, called suras. The suras are the working units of the revelation. They are largely composite. All but one (sura 9, which may well be unfinished) begin with the formula bi-smi llahi l-rahmani l-rahimi 'in the Name of God, the Merciful, the Compassionate'; and in 29 suras this formula is followed by a group of letters of the Arabic alphabet (e.g. alif, lam, mim, found at the beginning of suras 2, 3, 2.9,30,31 and 32), whose function is unknown but which seem to be of mystical import. "All but one (sura 9, which may well be unfinished) begin with the formula bi-smi llahi l-rahmani l-rahimi 'in the Name of God, the Merciful, the Compassionate'; and in 29 suras this formula is followed by a group of letters of the Arabic alphabet (e.g. alif, lam, mim, found at the beginning of suras 2, 3, 2.9,30,31 and 32), whose function is unknown but which seem to be of mystical import." "All but one (sura 9," (e.g. alif, lam, mim, found at the beginning of suras 2, 3, 2.9,30,31 and 32), whose function is unknown but which seem to be of mystical import." 2+ 3 + 2 + 9 + 30 + 31 + 32 = 109 Page xxiv "...However, by far the most interesting and instructive parallel is between Sura 12 and Genesis 37-47: the story of Joseph. The Quranic narrative, which includes details from the Midrash as well as Genesis, may at first seem rather sketchy, but in Arabic terms it is beautifully judged and effective. It is, incidentally, the only longish sura to be devoted to the telling of a single story." Page xxiii / "...In addition, Sura 18 includes two stories from the Christian periphery to the north of Arabia: the so-called legend of the Seven Sleepers and extracts from the Alexander romance."
THE TIBETAN BOOK OF THE DEAD Edited by W.Y. Evans-Wentz " III. The Esoteric Significance Of the Forty-Nine Days Of The Bardo" Page 6 " Turning now to our text itself, we find that structurally it is founded upon the symbolic number Forty-nine, the square of the sacred number Seven; for, according to occult teachings common to Northern Buddhism and to that Higher Hinduism which the Hindu-born Bodhisattva Who became the Buddha Gautama, the Reformer of the Lower Hinduism and the codifier of the secret Lore, never repudiated,there are seven worlds or seven degrees of Maya 2 within the sangsara, 3 con-stituted as seven globes of a planetery chain. On each globe there are seven rounds of evolution, making the forty-nine (seven times seven) stations of active existence. As in the / Page 7 / embryonic state in the human species the foetus passes through every form of organic structure from the amoeba to man, the highest mammal, so in the after-death state, the embryonic state of the psychic world, the Knower or principle of con-sciousness, anterior to its re-emergence in gross matter, ana-logously experiences purely psychic conditions. In other words, in both these interdependent embryonic processes - the one physical , the other psychical - the evolutionary and the involutionary attainments, corresponding to the forty-nine stations of existence, are passed through. Similarly, the forty-nine days of the Bardo may also be Symbolical of the Forty and Nine Powers of the Mystery of the Seven Vowels. In Hindu mythology, whence much of the Bardo symbolism originated, these Vowels were the Mystery of the Seven Fires and their forty-nine subdivisional fires or aspects. They are also represented by the Svastika signs upon the crowns of the seven heads of the Serpent of Eternity of the Northern Buddhist Mysteries, originating in ancient India. In Hermetic writings they are the seven zones of after-death, or Bardo , experiences, each symbolizing the eruption in the Intermediate State of a particular seven-fold element of the complex principle of consciousness, thus giving the consciousness-principle forty-nine aspects, or fires, or fields of manifestation 1. The number seven has long been a sacred number among Aryan and other races. Its use in the Revelation of John illustrates this, as does the conception of the seven day being regarded as holy. In Nature, the number seven governs the periodicity and phenomena of life,as, for example, in the series of chemical elements, in the physics of sound and colour, and it is upon the number forty-nine, or seven times seven, that the Bardo Thodol is thus scientifically based."
The Tibetan Book of the Dead Edited by W.Y. Evans-Wentz " III. The Esoteric Significance Of the Forty-Nine Days Of The Bardo" Page 6 " Turning now to our text itself, we find that structurally it is founded upon the symbolic number Forty-nine, the square of the sacred number Seven; for, according to occult teachings common to Northern Buddhism and to that Higher Hinduism which the Hindu-born Bodhisattva Who became the Buddha Gautama, the Reformer of the Lower Hinduism and the codifier of the secret Lore, never repudiated, there are seven worlds or seven degrees of Maya 2 within the sangsara, 3 con-stituted as seven globes of a planetery chain. On each globe there are seven rounds of evolution, making the forty-nine (seven times seven) stations of active existence."
THE MAGIC MOUNTAIN Thomas Mann 1924 Penguin Classics Rear page comment / "…The Magic Mountain is in Mann's own words 'a dialectic novel'.
'The setting'… 'is a sanatorium high in the Swiss Alps; and it is into this rarefied and extra-mundane atmosphere, devoted to and organized in the service of ill-health, that young Hans Castorp comes,intending at first to stay for three weeks but remaining seven years. With him are a cosmopolitan collection of people: an Italian liberal, a Jew turned Jesuit, a doctor, a seductive Russian woman, and his cousin Joachim who desperately longs for action and returns to the 'lower realities' of the world, only coming back to the sanatorium to die. Their occupation is discussion, and in this they indulge relentlessly and with an Olympian arrogance and detachment from the outer world..." Page 10 Chapter 1 "…Number 34… " Page 653 Chapter VII "…Highly Questionable…"
"…EDWIN KROKOWSKI'S lectures had in the swift passage of the years taken an unexpected turn His researches, which dealt with psycho-analysis and the dream-life of humanity, had always had a subterranean, not to say catacombish character;but now by a transition so gradual that one scarcely marked it, they had passed over to the frankly supernatural, and his fortnightly lectures in the dining-room - the prime attraction of the house, the pride of the prospectus, delivered in a drawling foreign voice, in frock coat and sandals from behind a little covered table, to the rapt and motionless Berghof audience- these lectures no longer treated of the disguised activities of love and the retransformation of the illness into the conscious emotion. They had gone on to the ex-traordinary phenomena of hypnotism and somnambulism, telep-athy, "dreaming true" and second sight; the marvels of hysteria, the expounding of which widened the philosophic horizon to such an extent that suddenly before the listener's eyes would glitter / Page 654 / darkly puzzles like that of the relation of matter to the psychical, yes even the puzzle of life itself, which it appeared, was easier to approach by uncanny, even morbid paths than by the way of health…" "… The field of his study had always been those wide, dark tracts of the human soul, which one had been used to call the subconsciousness, though they might perhaps be better called the superconsciousness, since from them sometimes emanates a know-ingness beyond anything of which the conscious intelligence is capable, and giving rise to the hypothesis that there may subsist connexions and associations between the lowest and least illumined regions of the individual soul and a wholly knowing All-soul. The province of the subconscious,"occult" in the proper sense of the word, very soon shows itself to be occult in the narrower sense as well, and forms one of the sources whence flow the phenomena we have agreed to characterize But that is not all. Whoever recognizes a symptom of organic disease as an effect of the conscious soul-life of forbidden and hystericized emotions, recognizes the creative force of the psychical within the material - a force which one is inclined to claim as a second source of magic phenomena. Idealist of the pathological, not to say patho-logical idealist, he sees himself at the point of departure of certain trains of thought which will shortly issue in the problem of existence, that is to say in the problem of the relation between spirit and matter. The materialist, son of a philosophy of sheer animal vigour can never be dissuaded from explaining spirit as a mere phosphorescent product of matter; whereas the idealist, proceed-ing from the principle of creative hysteria, is inclined, and very readily resolved, to answer the question of primacy in the exactly opposite sense. Take it all in all, there is here nothing less than the old strife over which was first, the chicken or the egg - a strife which assumes its extraordinary complexity from the fact / Page 655 / that no egg is thinkable except one laid by a hen, and no hen that has not crept out of a previously postulated egg. Well then, it was such matters as these that Dr. Krokowski discussed in his lectures. He came upon organically, legitimately - that fact cannot be over-emphasized. We will even add that he had already begun to treat of them before the arrival of Ellen Brand upon the scene of action, and the progress of matters into the empirical and experimental stage. Who was Ellen Brand? We had almost forgotten that our readers do not know her, so familiar to us is the name. Who was she? Hardly anybody,at first glance. A sweet young thing of nineteen years a flaxen haired Dane,…" "…Now this little Fraulein Brand, this friendly-natured little Danish bicycle-rider and stoop shouldered young counter jumper, had things about her, of which no one could have dreamed,…" "…and these it became Dr. Krokowski's affair to lay bare in all their extraordinariness. The learned man received his first hint in the course of a general evening conversation. Various guessing games were being played; hidden objects found by the aid of strains from the piano, which swelled higher when one approached the right spot, and died away when the seeker strayed away on a false scent. Then one person went outside and waited while it was decided what task he should perform; as, exchanging the rings of two selected persons; inviting someone to dance by making three bows before her; taking a / Page 656 / designated book from the shelves and presenting it to this or that person - and more of the same kind. It is worthy of remark that such games had not been the practice among the Bergof guests. Who had introduced them was not afterwards easy to decide;certainly it had not been Elly Brand, yet they had begun since her arrival. The participants were nearly all old friends of ours, among them Hans Castorp. They showed themselves apt in greater or lesser degree - some of them were entirely incapable. But Elly Brand's talent was soon seen to be surpassing,striking unseemly. Her power of finding hidden articles was passed over with ap-plause and admiring laughter. But when it came to a concerted series of actions they were struck dumb. She did whatever they had covenanted she should do, did it directly she entered the room; with a gentle smile, without hesitation, without the help of music.She fetched a pinch of salt from the dining room, sprinkled it over Lawyer Paravant's head, took him by the hand, led him to the piano and played the beginning of a nursery ditty with his forefinger: then brought him back to his seat curtseyed, fetched a footstool and finally seated herself at his feet, all of that being precisely what they had cudgelled their brains to set her for a task. She had been listening. She reddened.With a sense of relief at her embarrassment they began in chorus to chide her; but she assured them she had not blushed in that sense. She had not listened, not outside, not at the door, truly, truly she had not! Not outside not at the door? "Oh, no" - she begged their pardon. She had listened after she came back in the room she could not help it. How not help it? Something whispered to her, she said it whispered and told her what to do, softly but quite clearly and distinctly. Obviously that was an admission. In a certain sense she was aware, she had confessed, that she had cheated. She should have said beforehand that she was no good to play such a game, if she had the advantage of being whispered to . A competition loses all sense if one of the competitors has unnatural advantages over the others.In a sporting sense, she was straightway disqualified - but disqualified in a way that made chills run up and down their backs. With one voice they called on Dr.Krokowski, they ran to fetch him and he came. He was immediately at home in the situation, and stood there, sturdy, heartily smiling, in his very essence inviting confidence. breathless they told him they had / Page 657 / something quite abnormal for him an omniscient;, a girl with voices. Yes, yes? Only let them be calm, they should see. This was his native heath, quagrnirish and uncertain footing enough for the rest of them, yet he moved upon it with assured tread. He asked questions, and they told him. Ah there she was - come, my , child, is it true, what they are telling me? And he laid his hand on her head, as scarcely anyone could resist doing. Here was much ground for interest, none at all for consternation. He plunged the gaze of his brown, exotic eyes deep into Ellen Brand's blue ones, and ran his hand down over her shoulder and arm, stroking her gently. She returned his gaze with increasing subInission, her head inclined slowly toward her shoulder and breast. Her eyes were actually beginning to glaze, when the master made a careless out-ward motion with his hand before her face. Immediately there- after he expressed his opinion that everything was in perfect order, and sent the overwrought company off to the evening cure, with the exception of Elly Brand, with whom he said he wished to have a little chat. A little chat. Quite so. But nobody felt easy at the word, it was just the sort of word Krokowski the merry comrade used by preference, and it gave them cold shivers. Hans Castorp, as he sought his tardy reclining-chair, remembered the feeling with which he had seen Elly's illicit achievements and heard her shame- faced explanation,.as though the ground were shifting under his feet, and givmg him a slIghtly qualmish feeling, a mild seasick-ness. He had never been in an earthquake, but he said to himself that one must experience a like sensation of unequivocal alarm. But he had also felt great curiosity at these fateful gifts of Ellen Brand, combined, it is true, with the knowledge that their field was with difficulty accessible to the spirit, and the doubt as to whether it was not barren, or even sinful, so far as he was con-cerned - all which did not prevent his feeling from being what in fact it actually was, curiosity. Like everybody else, Hans Ca-storp had, at his time of life, heard this and that about the mys-teries of nature, or the supernatural. We have mentioned the clairvoyante great-aunt, of whom a melancholy tradition had come down. But the world of the supernatural, though theoretically and objectively he had recognized its existence, had never come close to him, he had never had any practical experience of it. And his aversion from it, a matter of taste, an resthetic revulsion, a re-action of human pride - if we may use such large words in con-nexion with our modest hero - was almost as great as his curi-osity. He felt beforehand, quite clearly, that such experiences, / Page 658 / whatever the course of them, could never be anything but in bad taste, unintelligible and humanly valueless. Arid yet he was on fire to go through them. He .was aware that his alternative of "barren" or else "sinful," bad enough in itself, was in reality not an alternative at all, since the two ideas fell together, and calling a thing spiritually unavailable was only an a-moral way of expressing its forbidden character. But the "placet experiri" planted in Hans Castorp's mind by one who would surely and re-soundingly have reprobated any experimentation at all in this field was planted firmly enough. By little and little his morality and his curiosity approached. and overlapped, or had probably always done so; the pure curiosity of inquiring youth on its travels, which had already brought him pretty close to the forbidden field, what time he tasted the mystery of personality, and for which he had even claimed the justification that it too was almost military in character, in that it did not weakly avoid the forbidden, when it presented itself. Hans Castorp came to the final resolve not to avoid; but to stand his ground if it came to more developments in the case of Ellen Brand. Dr. Krokowski had issued a strict prohibition against any further experimentation on the part of the laity upon Fraulein Brand's mysterious gifts. He had pre-empted the child for his scientific use, held sittings with her in his analytical oubliette, hypnotized her, it was reported, in an effort to arouse and discipline her slum- bering potentialities, to make researches into her previous psychic life. Hermine Kleefeld, who mothered and patronized the child, tried to do the same; and under the seal of secrecy a certain number of facts were ascertained, which under the same seal she spread throughout the house, even unto the porter's lodge. She learned, for example, that he who - or that which - whispered the answers into the little one's ear at games was called Holger. This Holger was the departed and etherealized spirit of a young man, the familiar, something like the guardian angel, of little Elly. So it was he who had told all that about the pinch of salt and the tune played with Lawyer Paravant's forefinger? Yes, those spirit lips, so close to her ear that ther were like a caress, and ticklea a little, making her smile, had whispered her what to do. It must have been very nice when she was in school and had not prepared her lesson to have him tell her the answers. Upon this point Elly was silent. Later she said she thought he would not have been allowed. It would be forbidden to him to mix in such serious matters - and moreover, he would probably not have known the answers himself. / Page 659 / It was learned, further, that from her childhood up Ellen had had visions, though at widely separated intervals of time; visions, visible and invisible. What sort of thing were they, now - in- visible visions? Well, for example: when she was a girl of sixteen, she had been sitting one day alone in the living-room of her par-ents' house, sewing at a round table, with her father's dog Freia lying near her on the carpet. The table was covered with a Turk- ish shawl, of the kind old women wear three-cornered across their shoulders. It covered the table diagonally, with the corners some-what hanging over. Suddenly Ellen had seen the comer nearest her roll slowly up. Soundlessly, carefully, and evenly it turned itself up, a good distance toward the centre of the table, So that the resultant roll was rather long; and while this was happening, the dog Freia started up wildly, bracing her forefeet, the hair rising on her body. She had stood on her hind legs, then run howling into the next room and taken refuge under a sofa. For a whole year thereafter she could not be persuaded to set foot in the living-room. Was it Holger, Fraulein KIeefeld asked, who had rolled up the cloth? Little Brand did not know. And what had she thought about. the affair? .But since it was absolutely impossible to think anything about it, little Elly had thought nothing at all. Had she told her parents? No. That was odd. Though so sure she had thought nothing about it, Elly had had a distinct impression, in this and similar cases, that she must keep it to herself, make a profound and shamefaced secret of it. Had she taken it. much to heart? No, not particularly. What was there about the rolling up of a cloth to cake to heart? But other things she. had - for ex- ample, the following: A year before, in her parent's house at Odense, she had risen, as was her custom, in the cool of the early morning and left her room on the ground-floor, to go up to the breakfast-room, in order to brew the morning co.ffee before her parents rose. She had almost reached the landing, .where the stairs turned, when she saw standing there close by the steps her elder sister Sophie, who had married and gone to America to live. There she was, her physical presence, in a white gown, with, curiously enough, a garland of moist water-lilies on her head, her hands folded against one shoulder, and nodded to her sister. Ellen, rooted to the spot, half joyful, half terrified, cried out: ".Oh, Sophie, is that you? " Sophie had nodded once again, and dissolved. She became gradually transparent, soon she was only visible as an ascending current of warm air, then not visible at all, so that Ellen's / Page 660 / path was clear. Later it transpired that Sister Sophie had died of heart trouble in New Jersey, at that very hour. Hans Castorp, when Frauleinl Kleefeld related this to him, ex-pressed the view that there was some sort of sense in it: the apparition here, the death there - after all, they did hang together.And he consented to be present at a spiritualistic sitting, a table tipping, glass-moving game which they had determined to undertake with Ellen Brand, behind Dr Kronowski's back, and in defiance of his jealous prohibition. A small and select group assembled for the purpose, their theatre being Fraulein Kleefeld's room. Besides the hostess, Fraulein Brand, and Hans Castorp, there was only Frau Stohr, Fraulein Levi, Herr Albin, the Czech Wenzel,and Dr.Ting-Fu. In the evening, on the stroke of ten, they gathered privily, and in whispers mustered the apparatus Hermine had provided, consisting of a medium-sized round table without a cloth, placed in the centre of the room, with a wine glass upside-down upon it, the foot in the air. Round the edge of the table, at regular intervals, were placed twenty-six little bone counters, each with a letter of the alphabet written on it in pen and ink.Fraulein Kleefeld served tea, which was gratefully received, as Frau Stohr and Fraulein Levi,despite the harmlessness of the undertaking, complained of cold feet and palpitations. Cheered by the tea, they took their places about the table, in the rosy twilight dispensed by the pink-shaded table-lamp, as Fraulein Kleefeld, in concession to the mood of the gath-ering, had put out the ceiling light; and each of them laid a finger of his right hand lightly on the foot of the wineglass. This was the prescribed technique.They waited for the glass to move. That should happen with ease ,The top of the table was smooth, the rim of the glass well ground, the pressure of the tremulous fingers, however lightly laid on, certainly unequal, some of it being exerted vertically, some rather sidewise, and probably in sufficient strength to cause the glass finally to move from its posi-tion in the centre of the table. On the periphery of its field it would come in contact with the marked counters ; and if the letters on these, when put together, made words that conveyed any sort of sense, the resultant phenomena would be complex and contaminate, a mixed product of conscious, half-conscious, and unconscious elements; the actual desire and pressure of some, to whom the wish was father to the act, whether or not they were aware of what they did ; and the secret acquiescence of some dark stratum in the soul of the generality, a common if subterranean effort toward seemingly strange experiences, in which the sup- / Page 661 / pressed self of the individual was more or less involved, most strongly, of course, that of little Elly. This they all knew be- forehand - Hans Castorp even blurted out something of the sort ,after his fashion, as they sat and waited. The ladies palpitation and cold extremities the forced hilarity of the men, arose from their knowledge that they were come together in the night to embark on an unclean traffic with their own natures, a fearsome prying into unfamiliar regions of themselves, and that they were awaiting the appearance of those illusory or half-realities which we call magic. It was almost entirely for form's sake' and came about quite conventionally, that they asked the spirits of the departed to speak to them through the movement of the glass. Herr Albin offered to be spokesman and deal with such spirits as mani-fested themselves - he had already had a little experience at seances. Twenty minutes or more went by. The whisperings had run dry, the first tension relaxed. They supported their right arms at the elbow with their left hands. The Czech Wenzel was almost dropping off. Ellen Brand rested her finger lightly on the glass and directed her pure, childlike gaze away into the rosy light from the table lamp. Suddenly the glass tipped, knocked,and ran away from under their hands. They had difficulty in keeping their fingers on it. It pushed over to the very edge of the table, ran along it for a space, then slanted back nearly to the middle; tapped again and remained quiet They were all startled ; favourably, yet with some alarm. Frau Stohr whimpered that she would like to stop, but they told her she should have thought of that before, she must just keep quiet now. Things seemed in train. They stipulated that, in order to answer yes or no the glass need not run to the letters, but might give one or two knocks instead. Is there an Intelligence present? Herr Albin asked, severly directing his gaze over their heads into vacancy. After some hesitation, the glass tipped and said yes. " What is your name?" Herr Albin asked, almost gruffly, and emphasized his energetic speech by shaking his head. The glass pushed off. It ran with resolution from one point to another, executing a zig zag by returning each time a little distance towards the centre of the table. It visited H, O,and L, then seemed exhausted; but pulled itself together again and sought out the G, and E, and the R. .Just as they thought. It was Holger in person, the spirit Holger, who understood such matters as the / Page 662 pinch of salt and that, but knew better than to mix into lessons at school. He was there, floating in the air, above the heads of the little circle. What should they do with him? A certain diffidence possessed them, they took counsel behind their hands, what they were to ask him. Herr Albin decided to question him about his position and occupation in life, and did so, as before, severely, with frowning brows; as though he were a cross-examining counsel. The glass was silent awhile. Then it staggered over to the P, zigzagged and returned to O. Great suspense. Dr. Ting-Fu gig-gled and said Holger must be a poet. Frau Stohr began to laugh hysterically; which the glass appeared to resent, for after indicating the E it stuck and went no further. However, it seemed fairly clear that Dr. Ting-Fu was right. What the deuce, so Holger was a poet? The glass revived, and superfluously, inapparent pridefulness, rapped yes. A lyric poet, Fraulein Kleefeld asked? She said ly - ric, as Hans Castorp in-voluntarily noted. Holger was disinclined to. specify. He gave no new answer, merely spelled out again, this time quickly and un-hesitatingly; the word poet, adding the T he had left off before. Good, then, a poet. The constraint increased. It was a con-straint that in reality had to do with manifestations on the part of uncharted regions of their own inner, their subjective selves, but which, because of the illusory, half-actual conditions of these manifestations, referred itself to the objective and external. Did Holger feel at home, and content, in his present state? Dreamily, the glass spelled out the word tranquil. Ah, tranquil. It was not a word one would have hit upon oneself, but after the glass spelled it out, they found it well chosen and probable. And how long had Holger been in this tranquil state? The answer to this was again something one would never have thought of, and dreamily answered; it was " A hastening while." Very good. As a piece of ventriloquistic poesy from the Beyond, Hans Castorp, in particular, found it capital. A " hastening while" was the time-element Hol- ger lived in: and of course he had to answer as it were in parables, having very likely forgorten how to use earthly terminology and standards of exact measurement. Fraulein Levi confessed her curi-osity to know how he looked, or had looked, more or less. Had he been a handsome youth? Herr Albin said she might ask him her-self, he found the request beneath his dignity. So she asked if the spirit had fair hair. "Beautiful brown, brown curls," the glass responded, delib-erately spelfing out the word brown twice. There was much merri- / Page 663 / ment over this. The ladies said they were in love with him. They kissed their hands at the ceiling. Dr. Ting-Fu, giggling said Mister Holger must be rather vain. Ah, what a fury the glass fell into! It ran like mad about the table, quite at random, rocked with rage, fell over and rolled into Frau Stohr's lap who stretched out her arms and looked down at it pallid with fear. They apologetically conveyed it back to its station, and rebuked the chinaman. How had he dared to say such a thing - did he see what his indiscretion had led to? Suppose Hol-ger was up and off in his wrath, and refused to say another word! They addressed themselves to the glass with the extreme of cour-tesy. Would Holger not make up some poetry for them? He had said he was a poet, before he went to hover in the hastening while.Ah, how they all yearned to hear him versify! They would love it so! And lo, the good glass yielded and said yes! Truly there was something placable and good-humoured about the way it tapped. And then Holger the spirit began to poetize, and kept it up, circumstantially, without pausing for thought, for dear knows how long . It seemed impossible to stop him. And what a suprising poem it was, this ventriloquist effort, delivered to the admiration of the circle - stuff of magic, and shoreless as the sea of which it largely dealt. Sea-wrack in heaps and bands along the narrow strand of the far flung bay; an islanded coast, girt by steep, cliffy dunes. Ah see the dim green distance faint and die into eternity, while beneath broad veils of mist in dull carmine and milky radiancethe summer sun delays! to sink. No word can utter how and when the watery mirror turned from silver into untold changeful colour-play, to bright or pale, to spreading, opaline and moonstone gleams or how, mysteriously as it came, the voiceless magic died away. The sea slumbered yet the last traces of the sunset linger above and beyond. Until deep in the night it had not grown dark: a ghostly twilight reigns in the pine forrest on the downs, bleaching the sand until it looks like snow. A simulated winter forest all in silence, save where an owl wings rustling flight. Let us stray here at this hour - so soft the sand beneath our tread, so sublime, so mild the night! Far beneath us the sea respires slowly and murmers a long whisperings in its dream. Does it crave thee to see it again? Step forth to the sallow, glacierlike cliffs of the dunes, and climb quite up into the softness, that runs coolly into thy shoes.The land falls harsh and bushy steeply down to the pebbly shore, and still the parting remnants of the day haunt the edge of the vanishing sky. Lie down here in the sand! How cool as death it is, / Page 664 / how soft as silk, as flour! It flows in a colourless, thin stream from thy hand and makes a dainty little mound besides thee. Doest thou recognize it this tiny flowing ? It is the soundless, tiny stream through the hour-glass, that solemn, fragile toy that adorns the hermit's hut. An open book, a skull, and in its slender frame the double glass, holding a little sand, taken from eternity, to prolong here as time, its troubling, solemn, mysterious essence… Thus Holger the spirit and his lyric improvisation, ranging with weird flights of thought from the familiar sea-shore to the cell of a hermit and the tools of his mystic contemplation. And there was more; more, human and divine, involved in daring and dreamlike terminology -over which the members of the little circle puzzled endlessly as they spelled it out; Scarcely finding time for hurried though rapturous applause, so swiftly did the glass zigzag back and forth, so swiftly the words rollon and on. There was no dis-tant prospect of a period, even at the end of an hour. The glass improvised inexhaustably of the pangs of birth and the first kiss of lovers; the crown of sorrows, the fatherly goodness of God; plunged into the mysteries of creation, lost itself in other times and lands, in interstellar space; even mentioned the Chaldeans and the zodiac; and would most certainly have gone on all night, if the conspiritors had not taken their fingers from the glass, and expressing their gratitude to Holger, told him that must suffice them for the time, it had been wonderful beyond their wildest dreams, it was an everlasting pity there had been no one at hand to take it down, for now it must inevitably be forgotten, yes alas, they had already forgotten most of it, thanks to its quality which made it hard to retain, as dreams are. Next time they must ap-point an amanuesis to take it down, and see how it would look in black and white, and read connectedly. For the moment how-ever, and before Holger withdrew to the tranquillity of his hasten-ing while, it would be better, and certainly most amiable of him, if he would consent to answer a few practical questions. They scarcely as yet knew what, but would he at least be in principle inclined to do so, in his great amiability? The answer was yes. But now they discovered a great perplex-ity what should they ask? It was as in the fairy-story, when the fairy or elf grants one question, and there is danger of letting the precious advantage slip through the fingers. There was much in the world much of the future, that seemed worth knowing, yet it was so difficult to choose. At length, as no one seemed able to settle, Hans Castorp, with his finger on the glass, supporting his cheek on his fist, said he would like to know what was to be / Page 665 / the actual length of his stay up here, instead of the three weeks originally fixed. Very well since they thought of nothing better, let the spirit out of the fullness of his knowledge answer this chance query. The glass hesitated then pushed off. It spelled out something very queer, which none of them succeeded in fathoming, it made the word , or the syllable Go, and then the word Slanting and then something about Hans Castorp's room. That was to say, through number thirty-four. What was the sense of that ? As they sat puzzling and shaking their heads, suddenly there came the heavy thump of a fist on the door. They all jumped. Was it a surprise? Was Dr. Krokowski standing without, come to break up the forbidden session? They looked up guiltily, expecting thc betrayed one to enter. But then came a crashing knock on the middle of the table, as if to testify that the first knock too had come from the inside and not the outside of the room. They accused Herr Albin of perpetrating this rather contemptible jest, but he denied it on his honour; and even without his word they all felt fairly certain no one of their circle was guilty. Was it Holger, then? They looked at Elly, suddenly struck by her silence. She was leaning back in her chair, with drooping wrists and finger-tips poised on the table-edge, her head bent on one shoulder, her eyebrows raised, her little mouth drawn down so that it looked even smaller, with a tiny smile that had something both silly and sly about it, and gazing into space with vacant, childlike blue eyes. They called to her, but she gave no sign of consciousness. And suddenly the night-table light went out. Went out? Frau Stohr, beside herself, made great outcry, for she had heard the switch turned. The light, then, had not gone out, but been put out, by a hand - a hand which one characterized afar off in calling it a " strange " hand. Was it Holger's? Up to then he had been so mild, so tractable, so poetic - but now he seemed to degenerate into clownish practical jokes. Who knew that a hand which could so roundly thump doors and tables, and knav-ishly turn off lights, might not next catch hold of someone's throat? They called for 'matches, for pocket torches. Fraulein Levi shrieked out that someone had pulled her front hair. Frau Stohr made no bones of calling aloud on God in her distress: "0 Lord, forgive me this once! "she moaned, and whimpered for mercy in-stead of justice, well knowing she had tempted hell. .It was Dr. Ting-Fu who hit on the sound idea of turning on the ceiling light; / Page 666 / the room was brilliantly illuminated straightway. They now es-tablished that the lamp on the night-table had not gone out by chance, but been turned off, and only needed to have the switch turned back in order to burn again. But while this was happening, Hans Castorp made on his own account a most singular discovery, which might be regarded as a personal attention on the part of the dark powers here manifesting themselves with such childish per-versity. A light object lay in his lap; he discovered it to be the "souvenir" which had once so surprised his uncle when he lifted it from his nephew's table: the glass diapositive of Clavdia Chau- chat's x-ray portrait. .Quite uncontestably he, Hans Castorp,had not carried it into the room. He put it into his pocket, unobservably. The others were busied about Ellen Brand, who remained sitting in her place in the same state, staring vacantly, with that curious simpering expression. Herr Albin blew in her face and imitated the upward sweeping motion of Dr. Krokowski, upon which she roused, and inconti-nently wept a little. They caressed and comforted her, kissed her on the forehead and sent her to bed. Fraulein Levi said she was willing to sleep with Frau Stohr, for that abject creature confessed she was too frightened to go to bed alone. Hans Castorp, with his retrieved property in his breast pocket, had no objection to finish-ing off the evening with a cognac in Herr Albin's room. He had discovered, in fact, that this sort of thing affected neither the heart nor the spirits so much as the nerves of the stomach - a retroactive effect, like seasickness, which sometimes troubles the traveller with qualms hours after he has set foot on shore. His curiosity was for the time quenched. Holger's poem had not been so bad; but the anticipated futility and vulgarity of the scene as a whole had been so unmistakable that he felt quite will-ing to let it go at these few vagrant sparks of hell-fire. Herr Set- tembrini, to whom he related his experiences, strengthened this conviction with all his force. "That,'"he cried out, "was all that was lacking. Oh, misery, misery! " And cursorily dismissed little EIly as a thorough-paced impostor. His pupil said neither yea nor nay to that. He shrugged his shoulders, and expressed the view that we did not seem to be altogether sure what constituted actuality, nor yet, in consequence, what imposture. Perhaps the boundary line was not constant. Per- haps there were transitional stages between the two, grades of actuality within nature; nature being as she was, mute, not sus- ceptible of valuation, and thus defying distinctions which in any case, it seemeed to him, had a strongly moralizing flavour. What / Page 667 / did Herr Settembrini think about" delusions "; which were a mix-ture of actuality and dream, perhaps less strange in nature than to our crude, everyday processes of thought? The mystery of life was literally bottomless. What wonder, then, if sometimes illusions - arose - and so on and so forth, in our hero's genial, confiding, loose and flowing style. Herr Settembrini duly gave him a dressing-down, and did produce a temporary reaction of the conscience, even something like a promise to steer clear in the future of such abominations. " Have respect," he adjured him, " for your humanity, Engineer! Confide In your God-given power of clear thought, and hold In abhorrence these luxations of the brain, these miasmas of the spirit! Delusions? The mystery of life? Caro mio! When the moral courage to make decisions and distinctions between reality and deception degen- erates to that point, then there is an end of life, of judgment, of the creative deed: the process of decay sets in, moral scepsis, and does its deadly work." Man, he went on to say, was the measure of things. His right to recognize and to distinguish between good and evil, reality and counterfeit, was indefeasible; woe to them who dared to lead him astray in his belief in this creative right. Better for them that a millstone be; hanged about their necks and that they be drowned in the depth of the sea. Hans Castorp nodded assent - and in fact did for a while keep aloof from all such undertakings.. He heard that Dr. Krokowskj had begun holding seances with Ellen Brand in his subterranean cabinet, to which cettain chosen ones of the guests were invited. But he nonchalantly put aside the invitation to join them - natu-rally not without hearing from them and from Krokowski him-self something about the success they were having. It appeared that there had been wild and arbitrary exhibitions of power, like those in Friiulein Kleefeld's room: knockings on walls and table, the turning off of the lamp, and these as well as further manifesta-tions were being systematically produced and investigated, with every possible safeguarding of their genuineness, after Com-rade Krokowski had practised the approved technique and put little Elly into her hypnotic sleep. They had discovered that the process was facilitated by music; and on these evenings the gramo-phone was pre-empted by the circle and carried down into the basement. But the Czech Wenzel who operated it there was a not unmusical man, and would surely not injure or misuse the instru-ment; Hans Castorp might hand it over without misgiving. He even chose a suitable album of records, containing light music, dances, small overtures and suchlike tunable trifles. Little Elly / Page 668 / made no demands on a higher art, and they served the purpose admirably. To their accompaniment, Hans Castorp learned, a handkerchief had been lifted from the floor, of its own motion, or, rather, that of the "hidden hand" in its folds. The doctor's waste-paper- basket had risen to the ceiling; the pendulum of a clock been alter- nately.stopped and set going again "without anyone touching it," a table-bell "taken" and rung-these and a good many other turbid and meaningless phenomena. The learned master of cere-monies was in the happy position of being able to characterize them by a Greek word, very scientific and impressive. They were, so he explained in his lectures and in private conversatiqns, "tele-kinetic" phenomena, cases of movement from a distance; he asso-ciated them with a class of manifestations which were scientifically known as materializations, and toward which his plans and at-tempts with EIly Brand were directed. He talked to them about biopsychical projections of sub con-scious complexes into the objective; about transactions of which the medial constitution, the somnambulic state, was to be regarded as the source; and which one might speak of as objectivated dream- concepts, in so far as they confirmed an ideoplastic property of nature; a power, which under certain conditions appertained to thought, of drawing substance to itself, and clothing itself in tem-porary reality. This substance streamed out from the body of the medium, and developed extraneously into biological, living end-organs, these being the agencies which had performed the extraor-dinary though meaningless feats they witnessed in Dr. Krokowski's laboratory. Under some conditions these agencies might be seen or touched, the limbs left their impression in wax or plaster. But some-times the matter did not rest with such corporealization. Under certain conditions, human heads, faces, full-length phantoms mani- fested themselves before the eyes of the experimenters, even within certain limits entered into contact with them. And here Dr. Kra-kowski's doctrine began, as it were, to squint; to look two ways .at once. It took on a shifting and fluctuating character, like the method of treatment he had adopted in his exposition of the nature of love. It was no longer plain-sailing, scientific treatment of the objectively mirrored subjective content of the medium and her passive auxiliaries. It was a mixing in the game, at least sometimes, at least half and half, of entities from without and beyond. It dealt - at least possibly, if not quite adinittedly-with the non-vital, with existences that took advantage of a ticklish, mysteriously and momentarily favouring chance to return to substantiality and show / Page 669 / themselves to their summoners - in brief, with the spiritualistic invocation of the departed. Such manifestations it Was that Comrade Krokowski, with the assistance of his followers, was latterly striving to produce; stur~ dily, with his ingratiating smile, challenging their cordial confi-dence, thoroughly at home; for his own person, in this questionable morass of the subhuman, and a born leaaer for the tImId and compunctious in the regions where they now moved. He had laid him~ self out to develop and discipline the extraordinary powers of Ellen Brand and, from what Hans Castorp could hear fortune smiled upon his efforts. Some of the party had felt the touch of materialized hands. Lawyer Paravant had received out of trans- cendency a sounding slap on the cheek, arid had countered with scientific alacrity, yes, had even eagerly turned the other cheek, heedless of his quality as gentleman, jurist, and one-time member of a duelling corps, all of which would have constrained him to quite a different line of conduct had the blow been of terrestrial origin. A. K. Ferge, that good-natured martyr, to whom all" high- brow" thought was foreign, had one evening held such a spirit hand in his own, and established by sense of touch that it was whole and well shaped. His clasp had been heart-felt to the limits of respect; but it had in some indescribable fashion escaped him. A considerable period elapsed, some two months and a half of bi-weekly sittings, before a hand of other-worldly origin, a young man's hand, it seemed, came fingering over the table, in the red glow of the paper-shaded lamp, and, plain to the eyes of all the circle, left its imprint in an earthenware basin full of flour. And eight days later a troop of Krokowski's workers, Herr Albin, Frau Stohr, the Magnuses, burst in upon Hans Castorp where he sat dozing toward midnight in the biting cold of his balcony, and with every mark of distracted and feverish delight, their words tum-bling over one another, announced that they had seen Elly's Hol-ger he had showed his head over the shoulder of the little me-dium, and had in truth " beautiful brown, brown curls." He had smiled with such unforgettable, gentle melancholy as he vanished! Hans Castorp found this lofty melancholy scarcely consonant with Holger's other pranks, his impish and simple-mmded tricks, the anything but gently melancholy slap he had given Lawyer Paravant and the latter had pocketed up. It was apparent that one must not demand consistency of conduct. Perhaps they were deal- ing with a temperament like that of the little hunch-backed man in the nursery song, with his pathetic wickedness and his craving for intercession. Holger's admirers had no thought for all this. / Page 670 / What they were detennined to do was to persuade Hans Castorp to rescind his decree; positively, now that everything was so bril- liantly in train, he must be present at the next seance. Elly, it seemed, in her trance had promised to materialize the spirit of any departed person the circle chose. Any departed person they chose? Hans Castorp still showed reluctance. But tliat it might be any person they chose occupied his mind to such an extent that in the next three days he came to a different conclusion. Strictly speaking it was not three days, but as many minutes, which brought about the change. One evening, in a solitary hour in the music-room, he played again the record that bore the imprint of Valentine's personality, to him so pro-foundly moving. He sat there listening to the soldierly prayer ot the hero departing for the field of honour: "If God should summon me away,
Thee I would watch and guard alway, O Marguerite! " and, as ever, Hans Castorp was tilled by emotion at the sound, an emotion which this time circumstances magnified and as it were condensed into a longing; he thought: "Barren and sinful or no, it would be a marvellous thing, a darling adventure! And he, as I know him, if he had anything to do with it, would not mind." He recalled that composed and liberal "Certainly, of course," he had heard in the darkness of the x-ray laboratory, when he asked Joa-chim if he might commit certain optical indiscretions. The next morning he announced his willingness to take part in the evening seance; and half an hour after dinner joined the group of familiars of the uncanny, who, unconcernedly chatting, took their way down to the basement. They were all old inhabitants, the oldest of the old, or at least of long standing in the group, like the Czech Wenzel and Dr. Ting-Fu; Ferge and Wehsal, Lawyer Paravant, the ladies Kleefeld and Levi, and, in addition, those per-sons who had come to his balcony to announce to him the appari-tion of Holger's head, and of course the medium, Elly Brand; That child of the north was already in the doctor's charge when Hans Castorp passed through the door with the visiting-card: the doctor, in his black tunic, his arm laid fatherly across her shoulder, stood at the foot of the stair leading from the basement floor and welcomed the guests, and she with him. Everybody greeted every-body else, with surprising hilarity and expansiveness - it seemed to be the common aim to keep the meeting pitched in a key free from all solemnity or constraint. They taIked in loud, cheery voices; / Page 671 / poked each other in the ribs, showed everyway how perfectly at ease they felt. Dr. Krokowski's yellow teeth kept gleaming in his beard with every hearty, confidence-inviting smile; he repeated his "Wel-come " to each arrival, with special fervour in Hans Castorp's case - who, for his part, said nothing at all, and whose manner was hesitating. "Courage, comrade," Krokowski's ener-getic and hospitable nod seemed to be saying, as he gave the young man's hand an almost violent squeeze. No need here to hang the head, here is no cant nor sanctimoniousness, nothing but the blithe and manly spirit of disinterested research. But Hans Castorp felt none the better for all this pantomime. He summed up the resolve formed by the memories of the x-'ray cabinet; but the train of thought hardly fitted with his present frame; rather he was re- minded of the peculiar and unforgettable mixture of feelings- nervousness, pridefulness, curiosity, disgust, and awe - with which, years ago, he had gone with some fellow students, a little tipsy, to a brothel in Sankt-Pauli. As everyone was now present, Dr. Krokowski selected two controls - they were, for the evening, Frau Magnus and the ivory Levi - to preside over the physical examination of the medium, and they withdrew to the next room. Hans Castorp and the re- maining nine persons awaited in the consulting-room the issue of the austerely scientific procedure - which was invariably without any result whatever. The room was familiar to him from the hours he had spent here, behind Joachim's back, in conversation with the psycho-analyst. It had a writing-desk, an arm-chair and an easy-chair for patients on the left, the window side; a library of refer- .ence-books on shelves to right and left of the side door, and in the further right-hand comer a chaise-longue, covered with oilcloth, separated by a folding screen from the desk and chairs. The doc-tor's glass instrument-case also stood in that comer, in another was a bust of Hippocrates, while an engraving of Rembrandt's "Anatomy Lesson" hung above the gas fire-place on the right side wall. It was an ordinary consulting-room, like thousands more; but with certain temporary special arrangements. The round ma- hogany table whose place was in the centre of the room, beneath the electric chandelier, upon the red carpet that covered most of the floor, had been pushed forward against the left-hand wall, be-neath the plaster bust; while a smaller table, covered with a cloth and bearing a red-shaped lamp, had been set obliquely near the gas fire, which was lighted and giving out a dry heat. Another electric bulb, covered with red and further with a black gauze veil, hung above the table. On this table stood certain notorious objects: two / Page 672 / table-bells, of different patterns, one to shake and one to press, the plate with flour, and die paper-basket. Some dozen chairs of dif-ferent shapes and sizes surrounded the table in a half-circle, one end of which was formed by the foot of the chaise-longue, the other ending near the centre of the room, beneath the ceiling light. Here, in the neighbourhood of the last chair, and about half-way to the door, stood the gramophone; the album of light trifles lay on a chair next it. Such were the arrangements. The red lamps were not yet lighted, the ceiling light was shedding an effulgence as of common day, for the window, above the narrow end of the writ-ing-desk, was shrouded in a dark covering, with its open-work cream-coloured blind hanging down in front of it. After ten minutes the doctor returned with the three ladies. Elly's outer appearance had changed: she was not wearing her ordinary clothes, but a night-gownlike garment of white crepe, girdled about the waist by. a cord, leaving her slender arms bare. Her maidenly breasts showed themselves soft and unconfined be-neath this garment, it appeared she wore little else. They all hailed her gaily. "Hullo, Elly!,How lovely she looks again! A perfect fairy! Very pretty, my angel! " She smiled at their compliinents to her attire, probably well knowing it became her. "Preliminary control negative," Krokowski announced. " Let's get to work, then, comrades," he said. Hans Castorp, con-scious of being disagreeably affected by the doctor's manner of address, was about to follow the example of the others, who, shout-ing, chattering, slapping each other on the shoulders, were settling themselves in the circle of chairs, when the doctor addressed him personally. " My friend," said he, "you are a guest, perhaps a novice, in our midst, and therefore I should like, this evening, to pay you special honour. I confide to you the control of the medium. Our practice is as follows." He ushered the young man toward the end of the circle next the chaise-longue and the screen, where EIIy was seated on an ordinary cane chair, witb her .face turned rather toward the entrance door than to the centre of the room. He himself sat down close in front of her in another such chair, and clasped her hand, at the same time holding both her knees firmIy between his own. "Like' that," he .said, and gave his place to Hans Castorp, who assumed the same position. " You'll grant that the arrest is complete. But we shall give you assistance too. Fraulein KIeefeld, may I implore you to lend us your aid?" And the lady thus courteousfy and. exotically entreated came and sat down, clasping Elly's fragile wrists, one in each hand. / Page 673 / Unavoidable that Hans Castorp should look into the face of the young prodigy, fixed as it was so immediately before his own. Their eyes met - but Elly's slipped aside and gazed with natural self-consciousness in her lap. She was smiling a little affectedly, with her lips slightly pursed, and her head on one side, as she had at the wineglass seance. And Hans Castorp was reminded, as he- saw her, of something else: the look on Karen Karstedt's face, a smile just like that, when she stood with.Joachim and himself and regarded the unmade grave in the Dorf graveyard. The circle had sat down. They were thirteen persons; not count-ing the Czech Wenzel, whose function it Was to serve Polyhymnia, and who accordingly, after putting his instrument in readiness, squatted with his guitar at the back of the circle. Dr. Krokowski sat beneath the chandelier, at the other end of the row, after he had turned on both red lamps with a single switch, and turned off the centre light. A darkness, gently aglow, layover the room, the corners and distances were obscured. Only the surface of the little table arid its inimediate vicinity were illumined by a pale rosy light. During the next few minutes one scarcely saw one's neighbours; then their eyes slowly accustomed themselves to the darkness and made the best use of the light they had - which was slightly reinforced by the small dancing flames from the chimney-piece. The doctor devoted a few words to this matter of the lighting, and excused its lacks from the scientific point of view. They must take care not to interpret it in the sense of deliberate mystifica-tion and scene-setting. With the best will in the world they could not, unfortunately, have more light for the present. The nature of the powers they were to study would not permit of their being . developed with white light, it was not possible thus to produce the desired conditions. This was a fixed postulate, with which they must for the present reckon. Hans Castorp, for his part, was quite satisfied. He liked the darkness, it mitigated the queerness of the situation. And in its justification he recalled the darkness of the x.ray room, and"how they had collected themselves, and " washed their-eyes " in it, before they "saw." The medium, Dr. Krokowski went on, obviously addressing his words to Hans Castorp in particular, no longer needed to be put in the trance by the physician. She fell into it herself, as the con-trol would see, and once she had done so, it would be her guardian spirit Holger, who spoke with her voice, to, whom, and not to Her, they should address themselves. Further, It was an error, which might result in failure, to suppose that one must bend mind or will / Page 674 / upon the'expected phenomena. On the contrary, a slighrly dif. fused attention, with conversation, was recommended. And Hans Castorp was cautioned, whatever else he did, not to lose control of the medium's extremities. "We will now form the chain," finished Dr. Krokowski; and they did so, laughing when they could not find each other's hands in the dark. Dr. Ting-Fu, sitting next Hermine Kleefeld, laid his right hand on her shoulder and reached his left to Herr Wehsal, who came next. Beyond him were Herr and Frau Magnus, then A. K. Ferge; who, if Hans Castorp mistook not, held the hand of the ivory Levi on his right - and so on. "Music! "the doctor com-manded, and behind him his neighbour the Czech set the instru-ment in motion and placed the needle on the disk. "Talk!", Krokowski bade them, and as the first bars of an overture by Mil-locker were heard, they obedienrly bestirred themselves to make conversation, about nothing at all: the winter snow-fall, the last course at dinner, a newly arrived patient, a: departure, "wild" or otherwise - artificially sustained, half drowned by the music, and lapsing now and again. So some minutes passed. The record had not run out before ElIy shuddered violently. A trembling ran through her, she sighed, the upper pari: of her body sank forward so that her forehead rested against Hans Ca-storp's, and her arms, together with those of her guardians, began to make extraordinary pumping motions to and fro. " Trance," announced the Kleefeld. The music stopped, so also the conversation. In the abrupt silence they heard the baritone drawl of the doctor. "Is Holger present?' " ElIy shivered again. She swayed in her chair. Then Hans Ca-storp felt her press his two hands with a quick, firm pressure. " She pressed my hands," he informed them. "He,' the doctor corrected him. "He pressed your hands. He is present. W el-come, Holger," he went on with unction." W el - come friend and fellow comrade, heartily, heartily wel-come. And remember, when you were last with us," he went on, and Hans Castorp remarked that he did not use the form of address common to the civilized West-" you promised to make visible to our mortal eyes some dear departed, whether brother soul or sister soul, whose name should be given to you by our circle. Are you willing? Do you feel yourself able to perform what you promised? " Again ElIy shivered. She sighed and shivered as the answer came. Slowly she carried her hands and those of her guardians to her fore- / Page 675 / head, where she let them rest. Then close to Hans Castorp's ear she whispered: "Yes." The warm breath irnmediatelr at his ear caused.in our friend that phenomenon of the epidernus popularly called goose-flesh, the nature of which the Hofrat had once explained to him. We men-tion this in order to make a distinction between the psychical and .the purely physical. There could scarcely be talk of fear, for our hero was in fact thinking: "Well, she is certainly biting off more than she can chew! " But then he was straightway seized with a mingling of sympathy and consternation springing from the con-fusing and illusory circumstance that a blood-young creature, whose hands he held in his, had just breathed a yes into his ear. "He said yes," he reported, and felt embarrassed. "Very well, then, Holger," spoke Dr. Krokowski. "We shall take you at your word. We are confident you will do your part. The name of the dear departed shall shortly be communicated to you. Comrades," he turned to the gathering, " out with it, now! Who has a wish? Whom shall our friend Holger show us? " A silence followed; Each waited for the other to speak. Indi-vidually they had probably all questioned themselves, in these last few days; they knew whither their thoughts tended. But the call-ing back of the dead, or the desirability of calling them back, was a ticklish matter, after all. At bottom, and boldly confessed, the de-sire does not exist; it is a misapprehension precisely as impossible as the thing itself, as we should soon see if nature once let it happen. What we call mourning for our dead is perhaps not so much grief at not being able to call them back as it is gnef at not being able to want to do so. This was what they were all obscurely feeling; and since it was here simply a question not of an actual return, but merely a theatri- cal staging of one, in which they should only see the departed, no more, the thing seemed humanly unthinkable; they were afraid to look into the face of him or her of whom they thought, and each one would willingly have resigned his right of choice to the next. Hans Castorp too, though there was echoing in his ears that large-hearted " Of course, of course " out of the past, held back, and at the last moment was rather inclined to pass the choice on. But the pause was too long; he turned his head toward their leader, and said; in a husky voice: "I should like to see my departed cousin, Joachim Ziemssen." That was a relief to them all. Of those present, all excepting Dr. Ting-Fu, Wenzel, and the medium had known the person asked / Page 676 / for. The others, Ferge, Wehsal, Herr Albin, Paravant, Herr and Frau Magnus, Frau Stohr Frau!ein Levi, and the Kleefeld, loudly announced their satisfaction WIth the choice. Krokowski hImself nodded well pleased, though his relations with Joachim had always been rather cool, owing to the latter's reluctance in the matter of psycho-analysis. " Very good indeed," said the doctor. "Holger, did you hear? The person named was a stranger to you in life. Do you know him in the Beyond, and are you prepared to lead him hither? " Immense suspense. The sleeper swayed, sighed, and shuddered., She seemed to be seeking, to be struggling; falIing this way and that, whispering now to Hans Castorp, now to the Kleefeld, some-thing they could not catch. At last he received from her hands the pressure that meant yes. He announced himself to have done so, and- " Very well;~then," cried Dr. Krokowski. "To work, Holger Music, " he cried. " Conversation! "and he repeated the injunction that no fixing of the attention, no strained anticipation was in place, but only an unforced and hovering expectancy. And now followed the most extraordinary hours of our hero's young life. Yes, though his later fate is unclear, though at a certain moment in his destiny he will vanish from our eyes, we may assume them to have been the most extraordinary he ever spent. They were hours - more than two of them, to be explicit, count-ing in a brief intermission in the efforts on Holger's part which now began, or rather, on "the girl EIly's - of work so hard and so prolonged that they were all toward the end inclined to be faint- hearted and despair of any result; out of pure pity, too, tempted to resign an attempt which seemed pitilessly hard, and beyond the delicate strength of her upon whom it was laid. We men, if we do not shirk oui humanity, are familiar with an hour of life when we know this almost intolerable pity, which, absurdly enough no one else can feel, this rebellious "Enough, no more! ' which is wrung' from us, though it is not enough, and cannot or will not be enough, until it comes somehow or other to its appointed end. The reader knows we speak of our husband- and fatherhood, of the act of birth, which Elly's wrestling did so unmistakably resemble that even he must recognize it who had never passed through this ex perience, even our young Hans Castorp; who, not having shirked life, now came to know,'in such a guise, this act, so full of orgamc mysticism. In what a guise! To what an end! Under what circum- stances! One could not regard as anything. less than scandalous the sights and sounds in this red-lighted lying-in chamber, the / Page 677 / maidenly form of the pregnant one, bare-armed, in flowing night-robe; and then by contrast the ceaseless and senseless gramophone music, the forced conversation which the circle kept up at com-mand, the cries of encouragement they ever and anon directed at the struggling one: "Hullo, Holger! Courage, man! It's coming, just keep it up, let it come, that's the way! " Nor do we except the person and situation of the " husband " - if we may regard in that "light our young friend, who had indeed formed such a wish-sitting there, with the knees of the little " mother " between his own, holding in his her hands, which were as wet as once little Leila's, so that he had constantly to be renewing his hold, not to let them slip. For the gas fire in the rear of the circle radiated great heat. Mystical, consecrate? Ah, no, it was all rather noisy and vulgar, there in the red glow, to which they had now so accustomed their eyes that they could see the whole room fairly well. The music and shouting were so like the revivalistic methods of the Salva- tion Army, they even made Hans Castorp think of the comparison, albeit he had never attended at a celebration by these cheerful zealots. It was in no eerie or ghostly sense that the scene affected the sympathetic one as mystic or mysterious, as conducing to solemmty; It was rather natural, organic - by VIrtue of the inti-mate association we have already referred to. Elly's exertions came in waves, after periods of rest, during which she hung sidewise from her chair in a totally relaxed and inaccessible condition, described by Dr. Krokowski as "deep trance." From this she would start up with a moan, throw herself about, strain and wrestle with her captors, whisper feverish, disconnected words, seem to be trying, with sidewise, jerking movements, to expel something; she would gnash her teeth, once even fastened them in Hans Castorp's sleeve. This had gone on for more than an hour when the leader found it to the interest of all concerned to grant a brief intermission. The Czech Wenzel, who had introduced an enlivening variation by closing the gramophone and striking up very expertly on his guitar, laid that instrument aside. They alI drew a long breath and broke the circle. Dr. Krokowski strode over to the wall and switched on the ceiling lamp; the light flashed up glaringly, mak-ing them all blink. Elly, bent forward, her face almost in her lap, slumbered. She was busy too, absorbed in the oddest activity, with which the others appeared familiar, but which Hans Castorp watched with attentive wonder. For some minutes together she moved the hollow of her hand to and fro in the region of her hips: / Page 678 / carried the hand away from her body and then with scooping, raking motion drew it towards her, as though gathering some-thing and pulling it in. Then, with a series of starts, she camne to herself, blinked in her turn at the light with sleep-stiffened eyes and smiled. She smiled affectedly, rather remotely. In truth, their solicitude. seemed wasted; she did not appear exhausted by her efforts. Per-haps she retained no memory of them. She sat down in the chair reserved for patients, by the writing-desk near the window, be-tween the desk and the screen about the chaise-longue; gave the chair a turn so that she could support her elbow on the desk and look into the room; and remained thus, receiving their sympa-thetic glances and encouraging nods, silent during the whole inter- mission, which lasted fifteen minutes. It was a beneficent pause, relaxed, and filled with peaceful satis-faction in respect of work already accomplished. The lids of cigarette-cases snapped, the men smoked comfortably, and stand-ing in groups discussed the prospects of the seance. They were far from despairing or anticipating a negative result to their efforts. Signs enougn were present to prove such doubting uncalled for. Those sitting near the doctor, at the far end of the row, agreed that they had several times felt, quite unmistakably, that current of cool air which regularly whenever manifestations were under way streamed in a definite direction from the person of the medium. Others had seen light-phenomena, white spots, moving congloba- tions of forces showing themselves at intervals against the screen. In short, no faint-heartedness! No looking backward now they had put their hands to the plough. Holger had given his word they had no call to doubt that he would keep it. Dr. Krokowski signed for the resumption of the sitting. He led Elly back to her martyrdom and seated her, stroking her hair. The others closed the circle. All went as before. Hans Castorp sug-gested that he be released from his post of first control, but Dr. Krokowski refused. He said he laid great stress on excluding, by immediate contact, every possibility of misleading .manipulation on the part of the medium. So Hans Castorp took up again his strange position vis-a-vis to ElIy; the white light gave place to rosy twilight, the music began again, the pumping motions; this time it was Hans Castorp who announced trance." The scandal-ous lying-in proceeded. With what distressful difficulty! It seemed unwilling to take its course - how could it? Madness! What maternity was this, what delivery, of what should she be delivered? "Help, help," the child / Page 679 / moaned, arid her spasms seemed about to pass over into that dan-gerous and unavailing stage obstetricians call eclampsia. She called at intervals on the doctor, that he should put his hands on her. He did so, speaking to her encouragingly. The magnetic effect, if such it was, strengthened her to further efforts. Thus passed the second hour, while the guitar was strummed or the gramophone gave out the contents of the album of light music into the twilight to which they had again accustomed their vision. Then came an episode, introduced by Hans Castorp. He supplied a stimulus by expressing an idea, a wish; a wish he had cherished from the beginning, and might perhaps have profitably expressed before now. Elly was lying with her face on their joined hands, in "deep trance." Herr Wenzel was just changing or re-versing the record when our friend summoned his resolution and said he had a suggestion to make, of no great importance, yet per-haps - possibly - of some avail. He had - that is, the house possessed among its volumes of records - a certain song, from Gounod's Faust, Valentine's Prayer, baritone with orchestral ac-companiment, very appealing. He, the speaker, thought they might try the record. " Why that particular one? " the doctor asked out of the dark-ness. " A question of mood. Matter of feeling," the young man re-sponded. The mood of the piece in question was peculiar to itself, quite special - he suggested they should try it. Just possible, not out of the question, that its mood and atmosphere mIght shorten their labours. ." Is the record here? " the doctor inquired. No, but Hans Castorp could fetch it at once. "What are you thinking of? " Krokowski promptly repelled the idea. What? Hans Castor;p thought he mIght go and come again and take up his business where he had left it off? There spoke the voice of utter inexperience. Oh, no, it was impossible.. It would upset everything, they would have to begin all over. Scientific exactitude forbade them to think of any such arbitrary going in and out. The door was locked. He, the doctor, had the key in his pocket. In short, if. the record was not now in the room - He was still talking when the Czech threw in, from the gramo- phone: "The record is here." " Here? " Hans Castor;p asked. "Yes, here it is, Faust, Valentine's Prayer." It had been stuck by mistake in the album of light music, not in the green album of arias, where it belonged; quite by chance - or mismanagement / Page 680 / or carelessness, in any case luckily - it had partaken of the general topsyturyyness, and here it was, needing omy to be put on. What had Hans Castorpto say to that? Nothing. It was the doc-tor who remarked: "So much the better,"and some of the others chimed in. The needle scraped, the lid was put down. The male voice began to choral accompaniment: "Now the parting hour has come." No one spoke. They listened, Elly, as the music resumed, re-newed her efforts. She started up convulsively, pumped, carried the slippery hands to her brow. The record went on, came to the. middle part, with skipping rhythm, the part about war and dan- ger, gallant, god-fearing, French. After that the finale, in full volume, the orchestrally supported refrain of the beginning.. " 0 Lord of heaven, hear me pray. . . ." Hans Castorp had work with Elly. She raised herself, drew in a straggling breath, sighed a long, long, outward sigh, sank down and was still. He bent over her in concern, and as he did so, he heard Frau Stohr say, in a high, whining pipe: "Ziems - sen! " He did not look up. A bitter taste came in his mouth. He heard another voice, a deep, cold voice, saying: "I've seen him a long time." The record had run off, with a. last accord of horns. But no one stopped the machine. The needle went on scratching in the silence, as the disk whirred round. Then Hans Castorp raised his head, and his eyes went, without searching, the right way. There was one more person in the room than before. There in the background, where the red rays lost themselves in gloom, so that the eye scarcely reached thither, between writing-desk and screen, in the doctor's consulting-chair, where in the intermission Elly had been sitting, Joachim sat. It was the Joachim of the last days, with hollow, shadowy cheeks, warrior's. beard and full curling lips. He sat leaning back, one leg crossed over the other, On his wasted face, shaded though it was by his bead-covering, Was plainIy seen the stamp of suffering, the expression of gravity and austerity which had beautified it. Two folds stood on his brow, between the eyes, that lay deep in their bony cavities; but there was no change in the mildness of the great dark orbs, whose quiet, friendly gaze sought out Hans Castorp, and him alone. That ancient grievance of the outstanding ears was still to be seen under the head-covering, his extraordinary head-covering, which they could not make out. Cousin Joachiin was not in mufti. His sabre seemed to be leaning against his leg, he held the handle, one thought to distinguish something like a pistol-case in his belt But that was / Page 681 / no proper uniforn1 he wore. No colour, no decorations; it had a collar like a litewka jacket, and side pockets. Somewhere low down on the breast was across. His feetlooked large, his legs very thin, they seemed to be bound or wound as for the business of sport more than war. And what was it, this headgear? It seemed as though Joachim had turned an arlmy cook-pot upside - down on his head, and fastened It under his chin wIth a band. Yet it looked quite properly warlike, like an old-fashioned foot-soldier, perhaps. Hans Castorp felt Ellen Brand's breath on his hands. And near him the Kleefeld's rapid breathing. Other sound there was none, save the continued scraping of the needle on the run-down, ro-tating record, which nobody stopped. He looked at none of his company, would hear or see nothing of them; but across the hands and head on his knee leaned far forward and stared through the red darkness at the guest in the chair. It seemed one moment as though his stomach would turn over within him. His throat contracted and a four-or fivefold sob went through and through him. " Forgive me! " he whispered; then his eyes overflowed, he saw no more. He heard breathless voices: "Speak to him! "he heard Dr. Kro-kowski's baritone voice summon him, formalIy, cheerily, and re- peat the request. Instead of complying, he drew his hands away from beneath EIly's face, and stood up. Again Dr. Krokowski called upon his name, this time in moni-tory tones. But in two strides Hans Castorp was at the step by the entrance door and with one quick movement turned on the white light. Fraulein Brand had collapsed. She was twitching convulsively in the Kleefeld's arms. The chair over there was empty. Hans Castorp went up to the protesting Krokowski, close up to him. He tried to speak, but no words came. He put out his hand, with a brusque, imperative gesture. Receiving the key, he nodded several times, threateningly, close into the other's face; turned, and went out of-the room.
HOLY BIBLE Scofield References REVELATION C 1 V 16 Page 1338 1 And when he had opened the seventh seal, there was silence in heaven about the space of half an hour. 2 And I saw the seven angels which stood before God; and to them were given seven trumpets. 3 And another angel came and stood at the altar, having a golden censer; and there was given unto him much incense, that he should offer it with the prayers of all saints upon the golden altar which was before the throne. 4 And the smoke of the incense, which came with the prayers of the saints, ascended up before God out of the angel's hand. 5 And the angel took the censer, and filled it with fire of the altar, and cast it into the earth: and there were voices, and thunderings, and lightnings, and an earthquake. 6 And the seven angels which had the seven trumpets prepared themselves to sound. 7 The first angel sounded, and there followed hail and fire mingled with blood, and they were cast upon the earth: and the third part of trees was burnt up, and all green grass was burnt up. 8 And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood; 9 And the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed. 10 And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp, and it fell upon the third part of the rivers, and upon the fountains of waters; 11 And the name of the star is called Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter. 12 And the fourth angel sounded, and the third part of the sun was smitten, and the third part of the moon, and the third part of the stars; so as the third part of them was darkened, and the day shone not for a third part of it, and the night likewise. 13 And I beheld, and heard an angel flying through the midst of heaven, saying with a loud voice, Woe, woe, woe, to the inhabiters of the earth by reason of the other voices of the trumpet of the three angels, which are yet to sound! REVELATION THE OPENING OF THE SEVENTH SEAL
THE STAIRWAY TO HEAVEN BOOK II THE EARTH CHRONICLES Zecharia Sitchin 1980 Page 275 "solar disk" ".........represented by the symbol for the Solar Disk........."
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1996 Return to the Beginning Page 283 'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .
I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . . I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either fun or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .' Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)
AMEN THAT NAME THAT NAME AMEN
CODE DE CODE C+O D+E D+E C+O D+E 9+9+9+9+9 C+O D+E D+E C+O D+E CODE DE CODE
SIGNALS WHAT SIGNALS
HALLELUJAH HURRAH FOR RAH FOR RAH HURRAH HALLELUJAH
CHEIRO'S BOOK OF NUMBERS Circa 1926 Page106 "The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
THE QUESTION HAS BEEN ASKED AGAIN AND AGAIN IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE THE TIDE AT THE FLOOD
EIGHTEEN+THIRTYSIX = 9 9 = EIGHTEEN+THIRTYSIX 1836
THE LIGHT IS RISING NOW RISING IS THE LIGHT
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Page 32 5
THE BALANCING ONE TWO THREE FOUR FIVE NINE EIGHT SEVEN SIX
1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1
FIRST CONTACT
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